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Tag: Lost Tour

  • Phoebe Bridgers Heads To The Faire

    Less than thirty-six hours after announcing her long-awaited fourth album, Lost Weekend, Phoebe Bridgers delivered another delightful glimpse into the upcoming release with the new single “Lost Boys.”

    The song is accompanied by a delightfully surreal video that plunges viewers into a Renaissance faire theme. Directed by Lance Oppenheim and Pablo Rochat, the visual narrative features Bridgers and a cast of costumed participants fully immersed in live-action role play alongside the Knights of Debracey Productions. This visual world continues the offbeat aesthetic introduced during the album announcement.

    Adding an intriguing layer to the visuals, Oppenheim is not new to the themed realm, having previously directed a 2024 HBO documentary exploring Renaissance faire culture in Ren Faire.

    The lyrics of “Lost Boys” offer evocative imagery, weaving together themes of enduring hardship and found solace. Bridgers sings about lost boys who never grow up or go home, finding her place amid a setting that suggests instant forgiveness: “Lost boys never grow up / never go home / Lost boys never spend their lunch money / lost boys never grow up, never get old / lost boys find me.”

    This new material arrives with the weight of anticipation, marking Bridgers’ first solo album since Punisher in 2020. It follows a period filled with dynamic collaborations, soundtrack work, and balancing projects like boygenius.

    Lost Weekend is clearly an expansive artistic statement, boasting an impressive roster of collaborators across the board. The production of “Lost Boys” was handled by Bridgers alongside longtime partners Tony Berg and Ethan Gruska, with Jack Antonoff sharing duties, and Alex G contributing to the soundscape.

    The track itself is a rich tapestry of talent, featuring vocal contributions from Bridgers joined by boygenius bandmates Lucy Dacus and Julien Baker. The instrumentation showcases incredible virtuosity, with Nickel Creek and Punch Brothers legend Chris Thile adding mandolin, while Sebastian Steinberg contributes upright bass and Rob Moose handles the string arrangements.

    The ensemble further features Caroline Shaw for vocal arrangements and harmonies, alongside instrumentalists including Blake Mills, Christian Lee Hutson, Marshall Vore, and Nate Walcott. The rhythm section is driven by Antonoff on drums, guitar, synths, and vocoder, with Alex G lending his drumming skills and a charming voice memo.

    Looking ahead, Bridgers will support Lost Weekend on the aptly named The Lost Tour. The journey begins on September 15th in Indianapolis before winding through North America and eventually reaching the U.K. and Europe later this year.

    Credit: Spin

  • ‘Weekend’ At Phoebe’s: Bridgers Brings Forth New LP

    Phoebe Bridgers (photo: Dead Oceans)

    Phoebe Bridgers has delivered a massive wave of excitement, finally revealing the highly anticipated new album that has captivated fans across North America and the U.K. in a flurry of activity. After selling out arenas in a matter of hours, the mystery is officially over: the project is titled Lost Weekend, set for release on August 14th via their longtime partners at Dead Oceans.

    While the full lineup of the sixteen tracks remains a closely guarded secret, anticipation is high, especially since the title song was already unveiled on YouTube in a preview to generate buzz. This sudden reveal follows a recent string of surprise acoustic pop-up shows and a sold-out appearance at Madison Square Garden earlier this month, suggesting that Bridgers has been deep in the creative trenches, exploring new musical territory before the grand launch.

    Lost Weekend marks Bridgers’ first full-length release since her critically acclaimed 2020 album, Punisher. This new work is seen as a potent culmination of her songwriting mastery, refining the deeply personal themes that have defined her previous output while embracing unexpected creative turns.

    The sound of the album is layered with collaborative brilliance. Production assistance came from Jack Antonoff, and tour mate Alex G contributed to the sonic landscape, pushing Bridgers’ music into richer and more adventurous emotional spaces. It represents an expansion on the songwriting prowess that first brought her acclaim with Stranger in the Alps and continued the evolution seen on Punisher.

    Bridgers will support the album on The Lost Tour, a journey designed to offer an intimate experience for her audience. Kicking off on September 15th in Indianapolis, the tour will sweep across North America before heading to the U.K. and Europe later in the year.

    The touring experience is being handled with a deliberate focus on community and presence. In line with her recent surprise performances, the entire upcoming tour will be phone-free. Audience members are asked to place their smart devices and phones into Yondr pouches upon entering venues, ensuring that the focus remains entirely on the shared, communal atmosphere of the performance.

    This commitment to connection extends to social responsibility. For every North American ticket sold, $1 will be donated to RAINN, the nation’s largest anti-sexual violence organization. It is a powerful gesture that ties the music directly to meaningful advocacy.

    The tour also features compelling musical partnerships; Alex G opens the North American dates, while former Black Country, New Road frontman Isaac Wood supports the overseas legs of the journey. Lost Weekend and The Lost Tour promise to be more than just an album release—they are an immersive, deeply connected event built on creative evolution and compassionate performance.

    Credit: Spin