Albums Reviews — Page 7

Sly and the Family Stone - There's a Riot Goin' On (1971)

There's a Riot Goin' On Review: Funk's Dark, Woozy Masterpiece

Sly Stone's murky, paranoid follow-up swapped sunshine for something far stranger. Our verdict.

Portishead - Dummy (1994)

Dummy Review: Cinematic Trip-Hop Noir

Portishead's debut is smoky, haunting and gloriously atmospheric. Our verdict.

Guns N' Roses - Appetite for Destruction (1987)

Appetite for Destruction Review: Sleaze, Swagger and Great Riffs

Guns N' Roses' debut is a gritty, riff-heavy blast of hard rock. Our verdict.

Sonic Youth - Daydream Nation (1988)

Daydream Nation Review: Noise Rock With a Heart

Sonic Youth's double album blends melody and noise into a sprawling indie landmark. Our verdict.

Wilco - Yankee Hotel Foxtrot (2002)

Yankee Hotel Foxtrot Review: Americana Turned Inside-Out

Wilco's fourth album pairs great songs with experimental textures and a famously messy backstory. Our verdict.

Frank Ocean - Channel Orange (2012)

Channel Orange Review: Smooth, Strange R&B

Frank Ocean's debut album is a lush, literate and emotionally candid R&B record. Our verdict.

The Stone Roses - The Stone Roses (1989)

The Stone Roses Review: Madchester's Defining Debut

The Stone Roses' debut is a jangly, dance-inflected indie classic. Our verdict.

The Clash - The Clash (1977)

The Clash Review: Fast, Angry and Brilliant

The Clash's debut is a lean, politically charged blast of British punk. Our verdict.

Carole King - Tapestry (1971)

Tapestry Review: The Soundtrack to a Generation

Carole King's solo breakthrough is warm, personal and packed with timeless songs. Our verdict.

R.E.M. - Murmur (1983)

Murmur Review: Mumbled Jangle-Pop Magic

R.E.M.'s debut is mysterious, melodic and quietly influential. Our verdict.