Punk Reviews

The Clash - London Calling (1979)

London Calling Review: Punk Grows Up

The Clash's double album stretches punk into reggae, ska, rockabilly and beyond. Our verdict.

Sex Pistols - Never Mind the Bollocks, Here's the Sex Pistols (1977)

Never Mind the Bollocks, Here's the Sex Pistols Review: The Sound of British Punk Exploding

The Sex Pistols' only studio album is a blast of snarling, guitar-driven fury. Our verdict.

Patti Smith - Horses (1975)

Horses Review: Poetry Meets Garage Rock

Patti Smith's debut mixes rock'n'roll and poetry into something raw and electrifying. Our verdict.

Television - Marquee Moon (1977)

Marquee Moon Review: Guitars Like Lightning

Television's debut is a masterclass in interlocking guitars and angular songs. Our verdict.

Ramones - Ramones (1976)

Ramones Review: Fourteen Songs in Under Thirty Minutes

The Ramones' debut is a blueprint for punk: fast, funny and brilliantly stripped back. Our verdict.

Pixies - Doolittle (1989)

Doolittle Review: Quiet-Loud Alt-Rock at Its Best

Pixies' second album is surf, punk and pop in a fractured, brilliant package. Our verdict.

Joy Division - Closer (1980)

Closer Review: A Haunting Farewell

Joy Division's second and final album is bleak, beautiful and tragically poised. Our verdict.

Sonic Youth - Daydream Nation (1988)

Daydream Nation Review: Noise Rock With a Heart

Sonic Youth's double album blends melody and noise into a sprawling indie landmark. Our verdict.

The Clash - The Clash (1977)

The Clash Review: Fast, Angry and Brilliant

The Clash's debut is a lean, politically charged blast of British punk. Our verdict.

Joy Division - Unknown Pleasures (1979)

Unknown Pleasures Review: The Sound of Post-Punk Gloom

Joy Division's debut is dark, spacious and unforgettable. Our verdict.