Indie Reviews

Arcade Fire - Funeral (2004)

Funeral Review: Grief Turned Into Joyous Noise

Arcade Fire's debut turns loss into soaring, communal indie rock. Our verdict.

The Smiths - The Queen Is Dead (1986)

The Queen Is Dead Review: Morrissey and Marr at Their Peak

The Smiths' third album is witty, mournful and full of unforgettable songs. Our verdict.

The Strokes - Is This It (2001)

Is This It Review: Cool, Clipped Garage Rock Revival

The Strokes' debut is short, sharp and impossibly cool, and it kickstarted a new wave of guitar bands. Our verdict.

Pixies - Doolittle (1989)

Doolittle Review: Quiet-Loud Alt-Rock at Its Best

Pixies' second album is surf, punk and pop in a fractured, brilliant package. Our verdict.

My Bloody Valentine - Loveless (1991)

Loveless Review: A Wall of Beautiful Noise

My Bloody Valentine's second album is the definitive shoegaze record, all swooning guitars and haze. Our verdict.

Sonic Youth - Daydream Nation (1988)

Daydream Nation Review: Noise Rock With a Heart

Sonic Youth's double album blends melody and noise into a sprawling indie landmark. Our verdict.

Wilco - Yankee Hotel Foxtrot (2002)

Yankee Hotel Foxtrot Review: Americana Turned Inside-Out

Wilco's fourth album pairs great songs with experimental textures and a famously messy backstory. Our verdict.

The Stone Roses - The Stone Roses (1989)

The Stone Roses Review: Madchester's Defining Debut

The Stone Roses' debut is a jangly, dance-inflected indie classic. Our verdict.

R.E.M. - Murmur (1983)

Murmur Review: Mumbled Jangle-Pop Magic

R.E.M.'s debut is mysterious, melodic and quietly influential. Our verdict.

The Jesus and Mary Chain - Psychocandy (1985)

Psychocandy Review: Beach Boys Hooks Buried Under Feedback

The Jesus and Mary Chain's debut wraps sweet pop songs in a blanket of noise. Our verdict.