MusicFreaks

Category: Pop

  • The Strings Come In On New Blondshell LP

    Blondshell is ready to unveil her next artistic statement with Violins, an album that promises to delve deep into the complex coexistence of beauty and brutality. The new record, led by the standout track “Violins,” is set for release on September 25th via Partisan Records.

    The soundscape of Violins is a masterclass in emotional immediacy, drawing inspiration from classic acts like Gang of Four, Teenage Fanclub, the Go-Betweens, and Sade. While retaining those signature hook-heavy guitars, the album pushes Blondshell’s established style, widening the artistic lens of her previous work to grapple with profound themes of violence, religion, friendship, and the slow, often frustrating journey of healing.

    The creation process for Violins was deeply personal. The artist, Sabrina Teitelbaum, found that this record allowed her to focus on what she truly wanted to express. “I felt like I didn’t need to over-explain anything,” Teitelbaum shared. “It feels like every time I make a record, I get closer to making the thing that I really want to make.”

    The centerpiece of the album, “Violins,” serves as the record’s North Star. It is built around a deceptively simple exchange, exploring the truth that recovery and personal growth rarely follow a linear timeline. The song encapsulates the album’s core message: “It’s not overnight / It takes all my focusing.” Teitelbaum notes that while writing, she was inspired by images of both violence and patience, emphasizing the necessity of healing slowly and refusing to be rushed.

    The visual identity of the project is equally striking. The accompanying video, directed by Sabra Binder, immerses viewers in a world of dream logic blended with high fashion. It features Teitelbaum trapped in a surreal room attempting to preserve a melting fawn-shaped ice sculpture, rich with imagery inspired by Alexander McQueen and experimental theater.

    Artistically, Violins marks a deliberate shift in Blondshell’s songwriting. The artist stated that the record is heavier, moving away from using romantic relationships as the primary vehicle for her themes. Instead, she sought to create songs that “hit hard,” prioritizing powerful imagery and big lead lines over literal narrative.

    Violins follows significant recent activity, including the release of “Heart Has To Work So Hard” and appearances like Kesha’s Bonnaroo SuperJam, demonstrating an evolving artistic direction. The album will be supported by an extensive tour across North America and Europe this fall, kicking off on October 14th in San Diego. Blondshell will bring a dynamic lineup, featuring support from Bully, Starcleaner Reunion, Prewn, TTSSFU, and Theatre.

    Credit: Spin

  • First Joy Division Live Anthology Due In Sept.

    Four decades after their defining, atmospheric sound captured the landscape of Manchester, the legendary post-punk band Joy Division is finally opening up its vaults for the first time with Eternal (Live). This sprawling 14CD/2DVD collection is not just a retrospective; it is the definitive concert anthology, meticulously gathering audio from sixteen rare performances, offering an unprecedented look into the band’s brief but transformative live career.

    Eternal (Live) represents years of dedication, sourcing material from audience cassettes, soundboard tapes, and broadcast recordings. These fragments were then masterfully brought together and newly mastered at Abbey Road Studios, ensuring that the raw energy of those live shows is preserved in pristine clarity.

    The collection features an incredible array of history. It traces Joy Division’s journey from their early 1979 performances all the way through to their final show on May 2, 1980, at High Hall in Birmingham. Fans will discover previously unreleased concerts, including sessions held at London’s Hope & Anchor and Acklam Hall, alongside unheard recordings captured from seminal venues like Manchester’s Factory, London’s Lyceum, and the Moonlight Club.

    Beyond these rare concerts, Eternal (Live) preserves pivotal moments in the band’s evolution. It contains performances of material that would later define their studio albums, including live takes of songs from Unknown Pleasures and Closer. Perhaps the most poignant inclusion is Joy Division’s final concert at High Hall, where the group performed “Ceremony” live for the first and only time—a performance that would later become an enduring cornerstone for New Order.

    The collection extends beyond audio, featuring more than two-and-a-half hours of compelling film footage across two DVDs. Highlights include the previously unseen Plan K concert from Brussels, expanded shots from the Apollo Theatre in Manchester, and a newly edited version of Joy Division — A Malcolm Whitehead Film.

    The physical release is stunning, housed in a 12-inch box featuring striking artwork from artists like Warren Jackson, Peter Saville, Howard Wakefield, and Brett Wickens, complemented by cover photography by Wolfgang Tillmans. The accompanying booklet offers deeper context, including notes from poet Simon Armitage and photographs by Anton Corbijn and Kevin Cummins.

    The announcement arrives at a moment of deep interest in Joy Division’s enduring legacy. Amid ongoing recognition for the band, which will be inducted into the Rock and Roll Hall of Fame later this year, and the public focus on Ian Curtis—the subject of an ongoing exhibit—Eternal (Live) offers fans an intimate and exhaustive window into the powerful, unforgettable world created by Joy Division.

    Credit: Spin

  • Jason Newsted Is Betting on Himself After Throat Cancer and Bringing the Chophouse Band on the Road

    The world of rock and roll often shines a spotlight on the spectacle, but sometimes the most compelling stories are found in the quiet, enduring connections between the artists themselves. Jason Newsted, a figure deeply woven into the fabric of Metallica’s history, embodies this truth. More than just a bassist for one of the world’s most iconic bands, he represents a life built on genuine camaraderie, profound experience, and an unwavering commitment to the joy of creation.

    When reflecting on his long tenure with the band—marking the 40th anniversary of his role as Cliff Burton’s successor—it’s clear that the connection goes far beyond the music. Newsted carries a demeanor that suggests a deep capacity for kindness and listening, qualities that often prove more valuable than outward flash. This genuine nature is evident in how he fosters relationships, demonstrating that true respect is built not on performance, but on shared human experience.

    Beyond the spotlight, Newsted channeled his creative energy into building something equally meaningful: the Chophouse Band. Founded in 1992, this fluid collective evolved from informal jam sessions and charity events into a dedicated platform for giving back. The band’s mission has always centered on imparting real-world lessons—a vital counterpoint to the often abstract nature of fame—by supporting various music and youth programs. They have successfully blended artistic expression with philanthropic action over the decades, proving that collaboration and generosity are foundational to enduring success.

    This commitment to fostering community extends into his approach to life itself. Newsted has reflected on the complex dynamics within the music world, noting a distinct difference between the competitive animosity often found in rock stardom versus the supportive brotherhood of Americana artists. He suggests that the rewards of a long and meaningful career are measured far more by accumulated experiences and the quality of relationships than by monetary gain.

    His journey has also included navigating profound personal challenges, including serious health issues and the struggle with painkiller addiction. Facing physical affliction and seeking emotional release taught him a difficult lesson about privacy and vulnerability. He chose to manage these experiences privately until he felt ready, emphasizing the complex emotional landscape of sharing personal struggles while maintaining support systems.

    Looking back, Newsted’s perspective offers a powerful insight into the nature of enduring fame. He suggests that the personas adopted by artists are often simply an extension of their personalities, and the true measure of impact lies in the genuine emotion poured into the work. The depth of connection he shares with his peers and fans underscores the idea that authenticity and lived experience ultimately stand the test of time.

    His ongoing dedication to music, whether through unboxing classic albums or leading new projects, reflects a philosophy where passion guides every endeavor. It is this ability to focus on the immediate joy of good music—and the people who share it—that defines his legacy: a powerful reminder that what truly matters is the enduring spirit behind the performance.

    Credit: Spin

  • Reunited Sugar Summons Third New Song

    Decades apart, a legendary rock trio has reignited the flame, delivering the high-volume joy fans have waited decades for. Bob Mould, David Barbe, and Malcolm Travis are not just reuniting; they are continuing a powerful momentum with new music.

    The trio recently unveiled “Keep Looping”, their third recording released in recent months following their first works more than thirty years ago. This fresh offering follows the success of “Long Live Love” and “House of Dead Memories,” extending the powerful comeback that fans witnessed at events like New York’s Webster Hall.

    The new track is a perfect blend of nostalgia and contemporary edge, carrying the signature intensity the group is known for. For David Barbe, the song resonated deeply, calling it his favorite release from the current run. He noted how the combination of the main riff’s intensity and the elevation of the bridge had him stuck in his head.

    The reunion has sparked more than just musical excitement; it has opened up a conversation about the modern world. When discussing the new material, Mould touched on the complex relationship with technology, stating, “Living in San Francisco, I have a love/hate relationship with AI.” He pondered the impact of this new technology, questioning what the cost is to society and the environment.

    Mould’s lyrics reflect this internal tension perfectly: “A touch of dopamine. The steady beat of the drum. Get used to the constant hum of the Lie.”

    The shared experience also brought forth profound reflections on live performance. Mould expressed his enduring enthusiasm for live music, emphasizing how much joy it brings to be on the road with Sugar. He noted the genuine engagement of audiences—a stark contrast to modern habits—finding hope in seeing people fully immersed in the moment without distractions.

    Malcolm Travis echoed this sentiment, describing the entire experience as surreal. “The travel, meeting fans young and old… the fact that we are even playing together again. A total thrill,” he shared about the emotional payoff of the reunion.

    As the tour continues, the band is heading back to North America for a 24-show run starting August 11 in Denver. Highlights include sold-out performances at Minneapolis’ First Avenue, where Mould famously rocked out alongside his former band, Hüsker Dü. Furthermore, the band is committed to giving back, with a portion of every ticket sold benefiting the Trevor Project.

    Credit: Spin

  • beabadoobee Details Star-Studded ‘Pylon’ LP

    Photo of Erika Kamano

    In a move that proves some creative connections are simply meant to be, beabadoobee and The Marías recently delivered a dreamy single, “All I Did Was Dream of You.” But the creative momentum doesn’t stop there, as singer/songwriter Beatrice Laus is ready to open a brand new chapter in her story.

    Laus is gearing up for her fourth album, Pylon, which is set to drop on September 18th via Dirty Hit and Interscope. Following the success of 2024’s U.K. chart-topper This Is How Tomorrow Moves, this new record promises a sonic evolution, previewed by the latest single “Sun Has Set” and a compelling first-person video directed by longtime visual collaborator Jake Erland.

    The concept behind the album title, Pylon, draws inspiration from the towering electrical structures that crisscross the globe. For Laus, these lines evolved into a powerful symbol—a tether to home amidst the isolation experienced while on the road. The pylons served as a reminder of family and friends even as touring created a sense of disconnect, ultimately inspiring the album’s jagged, forceful identity.

    Musically, Pylon deepens Laus’ established love for rock music while inviting an eclectic lineup of alternative talent. The track “Nothing To Prove” features Paramore’s Hayley Williams, delivering an anthem about reclaiming power from temporary friendships. Brendan Yates of Turnstile lends his voice to the brooding “Powerlines,” while guests include Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran. Adding to the creative tapestry, Matty Healy and George Daniel of the 1975 contributed production work on the track “Write Me a Letter.”

    This new material is set to hit the road with the Powerlines tour this fall, marking Laus’ first arena trek and biggest headlining run to date. Beginning October 1st, the journey will take her to massive venues including Madison Square Garden in New York, Los Angeles’ Kia Forum, and London’s O2. The tour is supported by Wisp and Violet Grohl across North America, Canada, and the U.K., with Violet Grohl joining the European leg.

    Fans can secure tickets through a presale beginning June 29th, with general tickets available July 2nd. Get ready for an experience that is both deeply personal and explosively loud.

    Credit: Spin

  • Bad Nerves Batter The Ears On New Single

    There’s a certain kind of static that comes from letting your guard down, and for the Essex-based rock firebrands Bad Nerves, that static is back in full force. They have unveiled “Network,” their newest musical offering since the acclaimed Still Nervous, and it arrives with the heavy, confrontational edge fans expect.

    Released today on June 24 via Pearl Jam guitarist Stone Gossard’s Loosegroove Records, the single immediately serves as the opening salvo for what promises to be an even larger announcement. It is a track that perfectly captures the band’s restless energy and the feeling of manufactured reality they often dissect in their work.

    The visual aesthetic of “Network” hints at this broader conceptual world still unfolding. The artwork, inspired by a scientific illusion encountered during a museum visit in Switzerland, introduces a robotic central figure that perfectly reflects the song’s themes of control, programming, and the manufactured nature of our modern existence.

    Bad Nerves’ ascent over the last two years has been nothing short of seismic. Following the success of Still Nervous, the band engaged in relentless touring, opening for Green Day across South America and Europe and joining Weezer on a European run. They brought their famously chaotic live show to global stages, from Australia and Japan to major festivals like Lollapalooza Chile, Chicago, Rock am Ring, and Rock im Park in Germany.

    The buzz surrounding the band has only intensified, evidenced by high praise from peers. Green Day’s Billie Joe Armstrong famously declared Bad Nerves “the best band in England right now” before inviting them on the road, solidifying their place in the rock landscape.

    Now, with “Network” leading the charge, the band is not slowing down. Much of 2026 is dedicated to road-testing this new material, with an extensive schedule planned across Europe and the U.S. They are set to share stages alongside heavyweights like the Offspring and Die Toten Hosen, in addition to a packed summer festival circuit.

    Frontman Bobby Nerves sums up the relentless pursuit of authenticity: “It feels like this is the main thing we’ll ever do in our lives. If we’re remembered for anything, let it be this.”

    Fans won’t have to wait long to experience this new material live. The touring schedule stretches across continents, hitting major stops from North America through Europe, ensuring that the chaotic energy of Bad Nerves continues to roar.

    Credit: Spin

  • Young The Giant Talk ‘Victory’ On ‘Lipps Service’

    The world of alternative rock continues to yield fascinating stories, and the latest installment of the SPIN Presents Lipps Service podcast delivered an intimate look into the creative journey of Young the Giant. Joining host Scott Lipps, the band opened up about their new album, Victory Garden, tracing their path from the music scene of Irvine, California, to the creation of some of the most memorable alternative rock anthems of the last two decades.

    Beyond discussing their latest work, the conversation delved deep into the history that shapes a band’s sound. Young the Giant shared the compelling narratives behind iconic tracks like “My Body” and “Cough Syrup,” revealing the personal stories woven into the fabric of their songwriting.

    The episode further illuminated the powerful influences that shape musical careers. The band discussed their collaborations with producers such as Joe Chiccarelli and Brendan O’Brien, alongside encounters with legendary figures like Paul McCartney, Chris Martin, and Morrissey, offering a rich tapestry of musical history.

    It was an engaging session that moved seamlessly between personal history and industry insight. The discussion also culminated in spirited debates among the guests, tackling big questions about music legacy—from judging the best Radiohead album to settling the band’s top five favorite songs from the Strokes.

    Credit: Spin

  • ‘Weekend’ At Phoebe’s: Bridgers Brings Forth New LP

    Phoebe Bridgers (photo: Dead Oceans)

    Phoebe Bridgers has delivered a massive wave of excitement, finally revealing the highly anticipated new album that has captivated fans across North America and the U.K. in a flurry of activity. After selling out arenas in a matter of hours, the mystery is officially over: the project is titled Lost Weekend, set for release on August 14th via their longtime partners at Dead Oceans.

    While the full lineup of the sixteen tracks remains a closely guarded secret, anticipation is high, especially since the title song was already unveiled on YouTube in a preview to generate buzz. This sudden reveal follows a recent string of surprise acoustic pop-up shows and a sold-out appearance at Madison Square Garden earlier this month, suggesting that Bridgers has been deep in the creative trenches, exploring new musical territory before the grand launch.

    Lost Weekend marks Bridgers’ first full-length release since her critically acclaimed 2020 album, Punisher. This new work is seen as a potent culmination of her songwriting mastery, refining the deeply personal themes that have defined her previous output while embracing unexpected creative turns.

    The sound of the album is layered with collaborative brilliance. Production assistance came from Jack Antonoff, and tour mate Alex G contributed to the sonic landscape, pushing Bridgers’ music into richer and more adventurous emotional spaces. It represents an expansion on the songwriting prowess that first brought her acclaim with Stranger in the Alps and continued the evolution seen on Punisher.

    Bridgers will support the album on The Lost Tour, a journey designed to offer an intimate experience for her audience. Kicking off on September 15th in Indianapolis, the tour will sweep across North America before heading to the U.K. and Europe later in the year.

    The touring experience is being handled with a deliberate focus on community and presence. In line with her recent surprise performances, the entire upcoming tour will be phone-free. Audience members are asked to place their smart devices and phones into Yondr pouches upon entering venues, ensuring that the focus remains entirely on the shared, communal atmosphere of the performance.

    This commitment to connection extends to social responsibility. For every North American ticket sold, $1 will be donated to RAINN, the nation’s largest anti-sexual violence organization. It is a powerful gesture that ties the music directly to meaningful advocacy.

    The tour also features compelling musical partnerships; Alex G opens the North American dates, while former Black Country, New Road frontman Isaac Wood supports the overseas legs of the journey. Lost Weekend and The Lost Tour promise to be more than just an album release—they are an immersive, deeply connected event built on creative evolution and compassionate performance.

    Credit: Spin

  • Indie All-Stars Assembling For PEOPLE Fest

    Credit: Spin

  • The ‘Eyes’ Have It On New Sam Smith LP

    Sam Smith is leaning into romance with their highly anticipated fifth album, Hazel Eyes, which is set to arrive on August 21 via Capitol Records. This project marks Smith’s first full-length work since the acclaimed Gloria release in 2023, promising a deeply personal and emotionally rich musical experience.

    The album has already begun generating buzz, highlighted by the lead single, “My Guy.” This track is a buoyant celebration of fully requited love, layered with harmonies from Feist and singer/songwriter Moses Sumney, adding a playful, girl-group inspired flourish to its lovestruck sentiment. It was co-written by Smith alongside Feist and multi-instrumentalist Shahzad Ismaily.

    Smith describes the creation of Hazel Eyes as a journey that has spanned over three years, representing one of their most personal artistic statements. “This album is an incredibly special record to me,” Smith shared. They revealed that the project was crafted with a small group of dear friends, deepening their artistic perspective through the process of production and songwriting.

    The sound of Hazel Eyes is a wonderfully eclectic blend, weaving together baroque pop, British folk, outlaw country, and left-field R&B. This rich sonic tapestry foregrounds Smith’s signature vocal performances and intimate songwriting, creating an atmosphere that feels both intimate and expansive.

    The sprawling 12-song set was largely shaped in New York, where Smith now resides. Co-produced by Smith alongside Simon Aldred and David Odlum, the recording process drew heavily on collaborations with artists like Feist, Ismaily, and string arranger Rob Moose, with parts of the work captured at the legendary Electric Lady Studios.

    The excitement surrounding the new release is fueled by Smith’s recent performances. The announcement follows a special appearance where Smith mixed career-spanning material with unreleased songs from Hazel Eyes during residency shows that featured surprise guests including Hozier, Ed Sheeran, Brandi Carlile, SIENNA SPIRO, and Kim Petras.

    As the album prepares for release, Smith is also gearing up for a special performance on Friday (June 26) at the Stonewall National Monument Visitor Center in New York, kicking off Pride weekend at the first LGBTQ+ visitor center within the National Park Service. Further live dates are expected to be announced soon.

    Credit: Spin