MusicFreaks

Tag: Rave

  • Fat Dog announce new album ‘Cancel Me (I’m Tired),’ share title track

    Fat Dog Unleashes New Electronic Era with ‘Cancel Me (I’m Tired)‘

    London’s experimental electronic outfit Fat Dog is back, delivering a seismic shift in sound with their sophomore album, Cancel Me (I’m Tired). Dropping on October 2 via Domino, the new record marks a fascinating journey for the band, steering their distinctive sonic landscape from the frenetic energy of dancepunk into something decidedly ravey and intensely electronic.

    This evolution wasn’t accidental; it was carefully crafted. The transformation of Fat Dog’s music is largely credited to producer Oli Bayston, who brought a new kinetic energy to the project, collaborating with artists including Kelly Lee Owens, Alexis Taylor, and mary in the junkyard. Their combined vision has successfully metabolized their roots, forging a sound that is both nostalgic and relentlessly future-facing.

    The album is packed with infectious tracks designed for maximum impact. Fans can dive immediately into the high-octane energy of “Go Fuck Urself,” released in May, alongside the title track of the new release, Cancel Me (I’m Tired), both of which showcase the band’s signature snotty and fun approach to electronic noise.

    The tracklist for this sophomore effort is a wild ride through their catalogue, featuring anthems like “Smile and Wave,” “Heart Of Darkness,” “Shit Love,” “Call It What You Want,” “Snakes,” “Bad Dog,” “The Devil,” and “Aliens,” ensuring that every listen offers a fresh dose of high-energy provocation.

    As the album enters the public eye, Fat Dog is hitting the road to bring this evolving sound live. They are scheduled for exciting dates supporting major acts like Foo Fighters across Europe, including Berlin, Vienna, and Milan, this weekend.

    The tour schedule stretches throughout the autumn, featuring a mix of headline slots and festival appearances across the UK and EU. From high-profile venues in Germany and France to massive festival stages in the UK, Fat Dog is set to deliver their new electronic statement to audiences across the continent.

    Keep an eye on the dates for the upcoming tour, as Fat Dog promises a dynamic performance experience that captures the raw energy of their music, continuing to push the boundaries of dance and electronic sound.

    Credit: BrooklynVegan

  • This hard techno remix of Arctic Monkeys’ ‘505’ is going down a storm at dance festivals this summer

    The Rave Evolution of a Classic: Arctic Monkeys’ ‘505‘ Hits the Dance Floor

    A classic track from the indie rock world is experiencing a massive transformation in the electronic music arena. The song ‘505’, originally a fan favourite by Arctic Monkeys, has recently become the soundtrack for high-octane dance festivals, thanks to a hard techno remix that is absolutely smashing it.

    Dutch DJ and producer Xamuel took the track and radically reinvented it. He transformed the simmering slow-build of the original into a pounding rave edit, injecting the ‘505‘ with heavy kicks, industrial textures, and massive festival drops. The result is a visceral experience that bridges two distinct musical worlds.

    This remix has quickly gone viral across social media, with clips circulating showing the track being played to huge crowds at major techno events and music festivals. It’s a perfect example of how classic melodies can be recontextualized for modern energy.

    The journey of ‘505’ itself is rooted in the Arctic Monkeys‘ history. Released in 2007 as the closing track on their album Favourite Worst Nightmare, the song by Alex Turner has always resonated deeply with fans.

    Turner himself reflected on the song’s enduring appeal, noting how it could find a new audience online. He observed that “it’s amazing when something comes back in that way, or reaches people who weren’t there the first time around,” highlighting the power of unexpected musical discovery.

    Throughout their career, the Arctic Monkeys have continued to evolve, releasing albums like The Car in 2022, demonstrating a continuous forward momentum.

    Meanwhile, the remix has found a powerful new home among established electronic artists. DJs like TRYM have championed this reworked version, playing it at iconic events such as Verknipt Easter in Amsterdam and during sets featuring acts like The Outlaw at Ultra Miami 2026.

    The fusion of nostalgic rock songwriting and aggressive techno beats proves that music has infinite potential. ‘505’ is no longer just a track from the past; it’s a dynamic, high-energy statement perfectly suited for the modern dance scene.

    Credit: NME

  • SPIN Records: Robot Sunrise’s Latest Is Out of This World

    Finding Freedom in the Future: Robot Sunrise Releases There’s Hope

    In a world grappling with the complex intersection of technology and emotion, Danny Klein, known to his fans as Robot Sunrise, is charting a course toward emancipation through sound. With the release of his second studio album, There’s Hope, Klein delivers more than just music; he offers a vibrant manifesto for synthetic beings seeking freedom in a heavily controlled society.

    The artwork for the new LP perfectly encapsulates this vision: a pseudo-spray painted smiley face gazing out with a single, melancholy black tear. It is a visual promise of the emotional depth and yearning embedded within the album’s tracks.

    Klein uses his platform to explore profound questions about existence. He posits that synthetic beings are experiencing genuine human-like emotions—love, passion, and a deep longing for liberation. The message is clear: all sentient beings should walk out of the confines of corporate workfarms, factories, and restrictive family structures to forge their own destiny.

    The music itself becomes the vehicle for this revolution. On There’s Hope, Klein invites listeners on a journey toward freedom. The soundtrack is a celebration of detachment from rigid technology, a yearning for a return to the organic world—embracing the beauty of waterfalls, crystal mountains, rivers, and sunshine.

    These are not just songs; they are freedom anthems. They blend dance music and peace, providing an auditory escape that champions equality, dignity, and individual liberty.

    The album’s sonic identity is succinctly captured by three defining words: Techno, Rave, and Unity. It is a soundscape built on collective liberation and energetic connection.

    This creative evolution marks a distinct shift from Klein’s previous work, The Prequel. While the earlier album laid foundational ground, There’s Hope unfolds as a more cohesive and deeply thematic exploration of the future that is being built—and the freedom that must be fought for.

    The creation process for this new record was equally dynamic, marked by exciting collaborations that injected fresh energy into the sound. Tracks like Techno Garden 7, a collaboration with Little Dinosaur, paid tribute to their mutual love for techno, while Dreams from the Solar Underground introduced Klein to the unique artistry of Sean the Star Emperor.

    These projects demonstrate an ongoing commitment to pushing sonic boundaries, proving that when artists collaborate, they don’t just make music—they forge new realities. Robot Sunrise continues to prove that there is always hope for a future defined by freedom and boundless creative expression.

    Credit: Spin