Reviews — Page 4
Electric Ladyland Review: Hendrix's Sprawling Studio Adventure
Jimi Hendrix's third and last studio album with the Experience is expansive, experimental and full of fire. Our verdict.
Rubber Soul Review: The Beatles Grow Up
The Beatles' sixth album is where their songwriting turned reflective and sophisticated. Our verdict.
Led Zeppelin IV Review: Hard Rock's Mighty Landmark
Led Zeppelin's untitled fourth album balances thunder with folk subtlety and includes 'Stairway to Heaven'. Our verdict.
Is This It Review: Cool, Clipped Garage Rock Revival
The Strokes' debut is short, sharp and impossibly cool, and it kickstarted a new wave of guitar bands. Our verdict.
Kid A Review: A Bold Break With Guitar Rock
Radiohead's follow-up to OK Computer ditched anthems for electronics, and it remains astonishing. Our verdict.
The Doors Review: A Dark, Theatrical Debut
The Doors' debut mixes blues, jazz and psychedelia with Jim Morrison's brooding poetry. Our verdict.
Remain in Light Review: Polyrhythmic Paranoia
Talking Heads' fourth album fuses funk, Afrobeat and art rock into something endlessly danceable and strange. Our verdict.
Who's Next Review: Synths and Power Chords
The Who's best-known album pairs arena rock thrills with pioneering synthesiser textures. Our verdict.
Beggars Banquet Review: The Stones' Return to Their Roots
The Stones' 1968 album ditched psychedelia for blues-rock swagger and began their great run. Our verdict.
The Joshua Tree Review: U2's Big, Open Road Album
U2's breakthrough album is an epic of wide-open guitars and spiritual yearning. Our verdict.