Reviews — Page 5

Ramones - Ramones (1976)

Ramones Review: Fourteen Songs in Under Thirty Minutes

The Ramones' debut is a blueprint for punk: fast, funny and brilliantly stripped back. Our verdict.

The Rolling Stones - Let It Bleed (1969)

Let It Bleed Review: The Stones in the Shadow of the Sixties

The Stones' 1969 album mixes menace and soul, and finishes with an anthem. Our verdict.

Massive Attack - Blue Lines (1991)

Blue Lines Review: The Birth of Trip-Hop

Massive Attack's debut fused hip-hop, soul and dub into something new and Bristol-born. Our verdict.

James Brown - 'Live' at the Apollo (1963)

'Live' at the Apollo Review: The Hardest-Working Man in Show Business

James Brown's electrifying live album captured soul at its most intense. Our verdict.

Stevie Wonder - Songs in the Key of Life (1976)

Songs in the Key of Life Review: A Joyous, Overflowing Double Album

Stevie Wonder's sprawling masterpiece is full of warmth, groove and invention. Our verdict.

R.E.M. - Automatic for the People (1992)

Automatic for the People Review: Mortality, Strings and Tenderness

R.E.M.'s 1992 album is a moving meditation on death and memory, with beautiful arrangements. Our verdict.

Prince and The Revolution - Purple Rain (1984)

Purple Rain Review: The Soundtrack to a Superstar

Prince's blockbuster soundtrack mixes pop, rock and funk with astonishing confidence. Our verdict.

Stevie Wonder - Innervisions (1973)

Innervisions Review: Social Conscience With a Groove

Stevie Wonder's 1973 album blends politics and personal reflection with irresistible grooves. Our verdict.

Joni Mitchell - Blue (1971)

Blue Review: Confession as Art

Joni Mitchell's most intimate album lays out her heart in songs of rare beauty. Our verdict.

Beck - Odelay (1996)

Odelay Review: A Collage of Sounds

Beck's 1996 album mixes hip-hop, folk, funk and noise into a playful, genre-hopping blast. Our verdict.