MusicFreaks

Tag: Live Music

  • Watch Foo Fighters cover The Beatles’ ‘I Want You (She’s So Heavy)’ in Liverpool at second Anfield show

    When a band with the raw energy of grunge decides to play stadium rock, the outcome is often pure magic. That’s exactly what happened when the Foo Fighters brought their infectious sound and playful spirit to Liverpool’s Anfield Stadium for their recent dates.

    Currently embarking on their ‘Take Cover‘ European stadium tour, Dave Grohl and the band are not just delivering anthems; they are weaving a tapestry of rock history. This tour supports their latest album, ‘Your Favorite Toy‘, showcasing a willingness to embrace the classics while keeping the energy delightfully modern.

    The Liverpool stop was no exception. While the evening featured familiar crowd-pleasers like ‘The Pretender‘ and ‘Learn To Fly‘, the band decided to pay a heartfelt tribute to the legends of The Beatles by tackling ‘I Want You (She’s So Heavy)‘. It was a powerful moment that perfectly blended their signature sound with an undeniable piece of musical history.

    Beyond the main setlist, the performance was filled with unique interactions that cemented the show as something special. During the gig, the band invited a fan dressed in Mentos wrapping to join them on stage, creating an unforgettable moment of shared fun. Grohl reportedly loved the unexpected energy, even playfully telling the fan to get off the stage!

    The atmosphere was perfectly balanced: high-octane stadium energy mixed with intimate, backroom jam sessions. Critics noted that the Foo Fighters manage to maintain incredible ‘backroom jam energy’ by seamlessly blending heavier influences, such as Motörhead and the Sabbath, into their set.

    Their ability to handle diverse material is key to their success. They managed to transition effortlessly from soaring stadium sounds to acoustic reflections, proving that no-frills punk rock still suits them much better than middle-of-the-road dad-rock.

    The band’s journey also reflects a deeper appreciation for musical collaboration. Dave Grohl, known for his friendship with legends like Paul McCartney, has shared stories of shared musical experiences, including playing alongside the titans of rock at Glastonbury in 2022.

    This fusion of energy, homage, and genuine interaction is what makes their live shows resonate so deeply. It’s a reminder that even the biggest stadium acts can thrive when they prioritize tunes and banter over mere spectacle.

    As the ‘Take Cover‘ tour continues across Europe, the Foo Fighters are proving that rock music remains a dynamic, engaging force, ready to celebrate history while defining the sound of the present.

    Credit: NME

  • Watch Kings Of Leon headline first ever State Fayre Festival: “It feels like coming home”

    When the UK’s largest music and barbecue event rolls into town, things get hot, hungry, and incredibly loud. The inaugural State Fayre festival delivered a sizzling start at Hylands Park in Chelmsford last weekend, setting a high bar for what a massive outdoor celebration can achieve.

    Leading the charge was the legendary Kings of Leon, who kicked off the festivities with a headline set that felt less like a performance and more like coming home. Amidst the record-breaking UK heatwave, as the smell of barbecue drifted across the site, frontman Caleb Followill captured the mood perfectly, telling the crowd, “it feels like being home.”

    The band delivered an absolutely packed performance, diving deep into their catalog with anthems like ‘Find Me’ and fan favourites including ‘The Bucket’, ‘Use Somebody’, and the explosive energy of ‘Sex On Fire’. The setlist was a masterclass in rock exhilaration, showcasing their enduring appeal.

    Kings of Leon‘s appearance was just one vibrant thread in a sprawling weekend lineup that mixed rock, Americana, and country influences with American-inspired food, decor, and classic fairground attractions. The festival featured powerhouse acts such as The Black Crowes, Stephen Wilson Jr, Kingfishr, Alanis Morissette, Skunk Anansie, The Lumineers, Elvis Costello & The Imposters with Charlie Sexton, and Counting Crows.

    The sheer diversity of talent across the weekend ensured there was something for every taste, providing a rich tapestry of music as attendees enjoyed the spectacle.

    Beyond the main stage highlights, Kings of Leon is gearing up for an extensive tour, continuing their UK and Ireland dates next week in cities like Belfast, Limerick, Glasgow, Manchester, and Leeds, with further stops including Madrid.

    The band’s recent work has been highly regarded; their 2024 album ‘Can We Please Have Fun’ was praised as one of their most promising and liberated records for over a decade. During interviews surrounding the release, the band spoke about rediscovering their excitement while making the music, noting that they allowed themselves to be musically vulnerable on the record.

    Credit: NME

  • Watch Metallica cover The Pogues and The Proclaimers in Dublin and Glasgow

    The legend of Metallica continues to roll through Europe, proving that even decades into their career, these heavyweights remain a force of nature. On the recent leg of their M72 World Tour, the band traded epic stadium shows for heartwarming musical tributes, weaving history and humor into their performance.

    The journey took them across the continent, starting with a spectacular stop in Glasgow where Metallica teamed up with fellow rock royalty to pay homage to Scottish music. Guitarist Kirk Hammett and bassist Robert Trujillo led the charge, using their mid-set segment, dubbed ‘Kirk and Rob Doodle,’ to spotlight iconic acts.

    At one stop, they honored the spirit of The Proclaimers by delivering a powerful rendition of ‘I’m Gonna Be (500 Miles)’. This musical gesture echoed the enduring passion for great music that defines the heavy music world.

    Just days before this, the band graced Dublin with another moment of musical history. During their performance there, Hammett and Trujillo honored Irish musical heritage by playing Ewan MacColl’s classic ‘Dirty Old Town’, a song steeped in the history of Irish music through acts like The Dubliners and The Pogues.

    This playful tradition of tribute is a staple of Metallica’s live shows, giving Hammett and Trujillo a chance to unleash loose bass-and-guitar jams that celebrate musical heroes. In the past, this segment has celebrated giants like Rammstein with ‘Sonne’, ABBA with ‘Dancing Queen’, and a-ha with ‘Take On Me’, underscoring the band’s unique ability to connect music across genres.

    Amidst the high energy of the tour, there were moments that offered a glimpse into the band’s more human side. During their first Dublin show, Hammett experienced a memorable moment when he slipped from the stage during ‘Seek & Destroy’, later joking about the near-miss on social media.

    This seemingly lighthearted anecdote provided a contrast to the heavy themes they explored. It was just days after Hammett had voiced some candid thoughts on contemporary music, suggesting that songwriting and pop music were simply crap, urging for musicians to create something higher quality.

    “I’m hoping that all these great musicians who can teach themselves through the internet step up and put all that great learning and all that great inspiration into creating new stuff, new songs, the future of music, and at a higher standard than what it is now,” he stated, adding, “Because I’ll say it again, K-R-A-P. Crap. Sorry for all you pop fans out there.”

    As Metallica continue their journey across the UK and Europe with the ‘M72’ tour, they remain an undeniable gateway to heavy music, proving that the majesty of heavy music is still on full display. With remaining dates planned for Cardiff and London, the concert experience promises to be just as ambitious and giddy as the band themselves.

    Credit: NME

  • Missing Glastonbury? There’s a festival on your doorstep that’s saving grassroots venues

    When the massive cultural behemoth of Glastonbury takes a year off, an unexpected opportunity arises for those who believe in the heart of the music scene: a chance to celebrate the venues and artists that make the UK live music culture thrive. This weekend is dedicated to this idea, with the launch of Everywhere At Once festival taking hundreds of stages across the UK in grassroots venues.

    Artists like Rizzle Kicks and Inspiral Carpets are among those taking part, highlighting why supporting these essential spaces matters for the creative ecosystem. They are demonstrating that the magic doesn’t just happen on massive stages; it flourishes in community-focused environments.

    The push for this kind of grassroots support comes at a critical time. The Music Venue Trust (MVT) CEO, Mark Davyd, pointed out that the pause in major events created a turning point, sparking a discussion about the sector’s future. He noted that money will start flowing from the grassroots levy, signaling a much-needed shift.

    Davyd provided compelling statistics, emphasizing the potential: if all UK grassroots music venues were operating at full capacity, they could host 252,000 people—exactly the size of Glastonbury. This scale underscores the enormous untapped potential lying within local spaces.

    This renewed focus has seen major industry figures call upon stars like Becky Hill, Fatboy Slim, and Tinie Tempah to participate in this movement, sending a powerful message: these venues are still vital and continue to host incredible shows.

    The true story of the grassroots scene is deeply embedded in its history. For bands like Rizzle Kicks, small venues were crucial training grounds, providing the foundation for playing to massive crowds later on. They recount how growing up in smaller spaces taught them invaluable lessons about performance and audience connection—a perspective that remains vital today.

    The struggle for these venues is palpable. Over the last decade, the UK has lost more than 300 treasured grassroots music spaces, and recent reports indicate that over half of UK grassroots venues made no profit in 2025, contributing to a wider crisis in the touring landscape.

    This loss has created a significant gap, leaving thousands of fans without easy access to live music and countless artists without the opportunities needed to hone their craft. Many argue that the lack of small-to-mid-sized venues makes it nearly impossible to progress from local garage bands to headlining arenas.

    The legacy of venue culture is undeniable. Legends like Oasis and the Inspiral Carpets built their careers by relentlessly touring and performing in smaller, local spots. It was in these spaces that talent was discovered and skills were developed, proving that genuine success often requires mastering the grassroots circuit first.

    Today, the message is clear: supporting venues like the small pubs, dive bars, and community hubs is not just sentimental; it is practical. As Live events manager Ben Street observed, these intimate spaces are the beating heart of communities, offering an authentic alternative to arena shows for fans who seek connection over spectacle.

    Everywhere At Once acts as a reminder that while the larger world shifts, there is still incredible, authentic music happening on every doorstep. The call is simple: celebrate the places that keep music alive and give new artists the platform they need to shine.

    The festival runs until Sunday 28 June, inviting everyone to explore local talent and rediscover the magic happening right where we live.

    Credit: NME

  • Tour news: Twisted Teens, Smerz, Winged Wheel, Victoryland, The Gotobeds, Angelo De Augustine, more

    The music world is buzzing with movement, and right now, the touring circuit is an absolute kaleidoscope of noise, nostalgia, and genre-bending brilliance. From hardcore punk experiments to blistering bluegrass jams, artists are hitting the road across the country, setting up stages, and proving that there is still an enormous appetite for live, visceral performance.

    The energy is palpable among the punks. New Orleans-based mutants Twisted Teens are currently on tour this summer, gracing the stage at Garwood, NJ’s Crossroads on July 24 with Pyrex and Loosey. This high-octane touring activity continues into the fall with an appearance at Bowery Ballroom in New York on November 13.

    Meanwhile, the celebration of heavy music continues to spin. The anticipation builds for the IONIA FREAK FAIR 2026, where bluegrass star Billy Strings is set to headline a festival that features bands he helped curate, including hardcore vets Bane and death metal legends Cryptopsy. This event promises a high-voltage experience at the Ionia Fairgrounds on August 28 and 29.

    In other corners of the musical landscape, experimental acts are crafting unique experiences. Artists like Turnstile, Olivia Rodrigo, and Deftones are currently curating lineups that defy traditional genre lines, showcasing a dynamic mix of eras and styles.

    The journey also includes some truly intriguing collaborations. Norwegian duo Smerz has temporarily paused their US and Mexico tour due to health reasons, reflecting on the incredible experience of traveling and playing big-city life across the US before planning their return soon.

    A different kind of journey is underway with Winged Wheel, who are taking a stripped-down, powerful trio—featuring Fred Thomas (Tyvek), Steve Shelley (Sonic Youth), and Cory Plump (Tubby’s Kingston)—on the road in August. Their route takes them from Tubby’s on 8/8 through various stops before concluding at Union Pool in Brooklyn on August 23.

    The story of music touring is also being told by singer-songwriters finding their stride. Southern California-based Angelo De Augustine, known for his work with Sufjan Stevens, will be supporting his new album Angel in Plainclothes on tour later this year, including a stop at Le Poisson Rouge in New York on October 6.

    Further across the board, other acts are making waves. American Football’s North American tour is officially beginning in Brooklyn, kicking off the journey now.

    Even experimental groups are looking to command attention. Victoryland is slated to open for LCD Soundsystem later this year, but they are also making appearances with Sex Week, Many Shining Windows, and Tal Castle at ErF in Brooklyn tonight on June 26, along with Fernette and Fashion at The Hancock on July 10.

    And finally, the artistic spectacle continues with Gorillaz. After their recent “House of Kong” exhibition in Los Angeles, the group is bringing that unique vision to New York City. The exhibition runs from September 1 to 28 at the Agger Fish Building at Brooklyn Navy Yard, adding another layer of visual culture to the city’s artistic scene.

    While the main stage action continues, even classic sounds are finding new life. Pittsburgh’s Gotobeds are taking a brief Midwest tour in August, hitting major cities like Columbus, Cincinnati, St Louis, Denver, and Kansas City.

    And perhaps the most charming news is the anticipation building for the festive season. John Waters is already checking his list twice, meticulously planning where he will be on his annual Christmas tour for 2026—proving that some traditions are just as compelling as any new musical trend.

    Credit: BrooklynVegan

  • Medium Build to Be ‘King of Having Fun’ on North American Tour

    The road is calling, and Medium Build is ready to answer. Georgia-born singer-songwriter and producer Nick Carpenter is setting his sights on North America with the arrival of his highly anticipated new album, King of Having Fun.

    Released on September 4th through slowplay and Island Records, the new record promises a fresh infusion of folksy alt-pop that perfectly captures Carpenter’s unique blend of songwriting and production. It’s more than just music; it’s an invitation to explore a vibrant, sun-drenched world, and now, the journey is about to unfold for fans across the continent.

    To celebrate this release, Medium Build is hitting the open road, kicking off a dynamic North American tour that promises unforgettable live experiences. The adventure begins in Washington, D.C., with dates starting October 4th, setting the stage for an epic cross-country trek filled with musical discovery.

    The itinerary weaves through major cities, moving from the bustling energy of the East Coast to the scenic landscapes of the West. Fans will get to experience this new sound live at iconic venues as the band travels. The tour schedule includes stops in Pittsburgh, Philadelphia, New York, and various cities across the Midwest and the West.

    The journey takes a special detour into Canada, where Carpenter will perform at Toronto’s The Concert Hall on October 12th, joined by support from Ken Yates. Later in the month, the band returns to Canadian soil for a memorable show at Vancouver’s Vogue Theatre on October 26th, with special guest Merle Law setting the mood.

    The adventure doesn’t end there. The tour continues its momentum, heading into southern states and culminating in Nashville, Tennessee, where Medium Build will close out their run with a hometown performance on November 20th at the Brooklyn Bowl. This final stop provides a perfect, heartfelt conclusion to the incredible North American experience.

    This tour is packed not only with Carpenter’s sound but also with stellar supporting acts, including Bella White, The Scratch, and Eden Joel, ensuring that every stop delivers an immersive musical event. With dates spanning late October and early November across cities like Chicago, Seattle, San Francisco, and Los Angeles, the window for live music lovers is wide open.

    Tickets for this epic journey go on sale on June 29th at 10 a.m. local time. Fans are invited to check out the full schedule and secure their spots for what promises to be a truly golden adventure with Medium Build.

    Credit: Exclaim!

  • Snapped: Pier Play Brings Beats to the Santa Monica Shoreline (A Photo Essay)

    When the music meets the mesmerizing backdrop of the ocean air, the Santa Monica shoreline transforms into a global dance destination. PierPlay, the unique community event that brings thundering beats to the waterfront, has returned for its fourth spectacular installment, proving that coastal sunsets are the perfect stage for sonic adventures.

    The night was an expertly curated journey through sounds and spectacle. The evening kicked off with an inspired daytime set from Darina Chuz, delivering a live vocal-laced performance alongside frequent collaborators AWEN and Xinobi. As the sun dipped below the horizon, the atmosphere shifted into something truly epic with a sunset performance by French DJ Notre Dame. He reinterpreted the iconic Timbaland and Nelly Furtado track, “Give It To Me 2025”, co-produced with Adriatique, setting an unforgettable mood.

    The rhythm continued as Afro-house phenom AMÉMÉ took the decks, showcasing his signature native sound and elevating the energy further. The musical experience culminated in a global debut of Âme Live Presents, featuring Frank Wiedemann, half of the renowned duo Âme, who introduced his new hybrid live/DJ show to the highly energized crowd.

    But PierPlay was more than just a concert; it was an immersive sensory feast. Beyond the incredible soundtrack, attendees enjoyed unique VIP experiences, interacting with dancing robots and indulging in luxury treats like caviar and canolli. The spectacle was framed by towering structures that illuminated the coastal skies with dynamic lights, lasers, and stunning imagery, turning the Pier into a breathtaking canvas.

    This fusion of high-energy music, interactive art, and luxurious atmosphere cements PierPlay’s status as an essential cultural event. Mark your calendars: PierPlay is set to return on October 3 and 4, 2026, bringing even more talent, including Monolink, Meduza, LP Giobbi, Claptone, Rinzen, and Mind Against.

    Credit: Spin

  • American Football add Music Hall of Williamsburg show to summer tour (tickets on sale now)

    Get ready for an emotional journey across the globe. American Football is kicking off their American Football”>“NO FEELING” world tour, bringing a unique blend of music and unforgettable live experiences to audiences worldwide. This expansive tour isn’t just a series of concerts; it’s a cultural expedition spanning continents and venues.

    The itinerary is packed with high-demand dates, including major stops in Europe and Asia, alongside exciting legs across North America. Fans eager to catch the action can mark their calendars for events stretching from June through December. Highlights include concerts in Leeds, London, New York, Boston, and extending far to places like Beijing, Shanghai, Seoul, Taipei, and even Santa Ana, California.

    The tour promises diverse experiences, featuring dates at iconic venues such as the Music Hall of Williamsburg in Brooklyn, NY, which is set to close at the end of 2026. Fans can also look forward to shows at locations like The National, Orange Peel, and various music halls across the US.

    For those looking to jump on some of the most anticipated dates, tickets are already in high demand. Some stops have already sold out, signaling the incredible pull of this tour, while others offer opportunities for fans to secure seats at low ticket prices, ensuring that the experience remains accessible.

    The journey also includes unique moments, such as a concert scheduled at The Observatory in Denver and exciting performances across various international festivals. This global sweep demonstrates the immense reach and appeal of American Football‘s music.

    Adding to the excitement, a special performance featuring Fantasy Of A Broken Heart is being incorporated into the tour, bringing an extraordinary ensemble of talent. This event will feature collaborations with artists including Marconi Union, IAN SWEET, Afternoon Bike Ride, Nine Perfect Lives, Tanukichan, and Bleachers, promising a truly layered and dynamic musical experience for attendees.

    From the sold-out shows in New York to the unique international dates, this tour is shaping up to be an unforgettable adventure. Whether you are following the music or seeking a new concert destination, American Football’s world tour is putting on a spectacle that promises powerful performances and incredible musical depth.

    Credit: BrooklynVegan

  • Heavens to Betsy reunite for first tour in three decades following secret show in Portland last night

    Sleater-Kinney Reclaim the Stage After Three Decades

    The musical landscape was electrified last night as the iconic feminist punk duo, Sleater-Kinney, stepped back into the spotlight after a significant hiatus. Corin Tucker and Tracy Sawyer delivered a highly anticipated live performance, marking their first official concert in over thirty years.

    The event, held at a secret show in Portland, turned out to be an absolute success, drawing a sold-out crowd eager to witness the raw energy of the band once again. It was more than just a concert; it felt like a powerful reconnection with a generation that cherishes their foundational sound.

    This performance signaled a major turning point for the duo, offering a much-needed moment for fans and observers to reconnect with the enduring influence of their music. The reunion demonstrated that the impact of Sleater-Kinney remains vibrant and resonant.

    Following the successful show in Portland, Tucker and Sawyer have officially confirmed an upcoming run of United States tour dates scheduled for the autumn months. This extensive touring schedule represents the band’s first national touring activity since the 1990s.

    The announcement signals a fresh chapter for Sleater-Kinney, inviting audiences across the country to experience the explosive energy and thoughtful lyrics that have defined their career. Fans are now looking forward to witnessing this historic return on stage throughout the fall.

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    Credit: The Line of Best Fit

  • Justin Bieber’s Coachella Set Now A Surprise Live Album

    When Justin Bieber took the stage at Coachella in April, it wasn’t just another concert; it was a spectacle that redefined what a modern music performance could be. This appearance marked a significant moment, years after he had previously delivered massive live shows, signaling a bold and creative return to the spotlight.

    Bieber’s presence at the festival was rooted in his recent artistic evolution. It followed the release of his experimental comeback albums, Swag and Swag II, which embraced a more loose and experimental approach to his music.

    The live performances themselves were as unique as the music. Bieber famously infused his sets with interactive moments, notably incorporating extended stretches where he sang along to popular YouTube videos of his older hits. This playful interaction turned the concert into a shared experience, blurring the lines between performer and audience.

    These unexpected, engaging moments generated significant buzz. The spontaneity and connection created during these performances caused substantial spikes in both streaming numbers and ticket demand, demonstrating the enduring power of genuine fan engagement.

    The success of the Coachella experience culminated in a retrospective moment. Bieber has now immortalized this unique stage presence and energetic connection by releasing his performance as a surprise live album, cementing the event as a landmark in his career.

    Credit: Stereogum