Miguel speaks out against racist attacks on his family
Grammy-winning R&B singer Miguel recently turned his focus to a deeply personal matter, taking to social media to address the wave of racist and anti-Asian attacks directed at him, his partner Margaret Zhang, and their child.
In a powerful statement, the singer made it unequivocally clear that the harassment he and his family have endured had crossed a line that required no further explanation. He addressed the malicious comments, direct messages, and abusive remarks that sought to target his personal life.
“People can have opinions about me. About the music. About the work. I accept the realities that come with doing anything in public. But racism, threats, harassment, stalking, invasions of privacy, and targeting of children are abuse. Not opinion.”
Miguel emphasized the crucial distinction between legitimate criticism and outright abuse, noting that targeting his family based on racism is unacceptable. He stressed that these actions do not become acceptable simply because they are disguised as fandom, speculation, or mere “concern.”
The singer extended his critique beyond the direct attackers, placing responsibility on organizations and individuals who knowingly amplify or enable racism and harassment for the sake of attention and engagement. He made it clear that participation in such behavior does not support him or the community.
“If you participate in this behavior, you are not supporting me. You are not part of this community. Where legal and ethical lines have been crossed, action has been and will continue to be taken.”
This public declaration reframes the conversation, demanding accountability from those who facilitate harmful narratives. It serves as a strong reminder that when personal safety and dignity are violated, the response must be firm and resolute.
Miguel’s work, which often explores themes of transformation and personal evolution, stands alongside his public stance, underscoring a powerful commitment to speaking truth to power, both on stage and in the public sphere.
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