DMA’s New Studio and Label Deal Just Began
For a decade, the Australian alternative rock band DMA’S has lived the dream, carving out an enviable reputation and amassed a powerful fanbase in the United Kingdom. They have landed on the biggest stages, earning accolades like the ARIA for best group in 2023, proving their spot among the industry’s elite.
Yet, despite this global success and undeniable momentum, one piece of the puzzle remains tantalizingly out of reach: the coveted No. 1 spot. It’s a small detail, perhaps, but for a band with their level of artistry, the pursuit of the summit adds a delicious layer of tension to their journey.
The trio’s recent work, particularly their 2023 album How Many Dreams, has kept them in the spotlight, consistently landing high on music charts. The album, which peaked at No. 2 on the ARIA Chart and No. 3 on the Official U.K. Albums Chart, is a testament to their creative spirit.
The magic behind the sound is deeply rooted in history. The recording sessions for their latest work took place in Sydney’s Glebe, within a studio established by rock’n’roll legend Col Joye. This space was even a hub for sessions with musical giants like David Bowie, Bruce Springsteen, and the Bee Gees, adding an undeniable layer of legacy to their debut.
The process of creating their self-titled fifth album was anything but ordinary. The band opted to keep control, recording the project largely themselves, which allowed for an almost limitless period of experimentation. As lead guitarist Matt Mason put it, this freedom allowed them to solidify exactly what they wanted, rather than following an outside producer’s direction. This commitment resulted in a record brimming with style and swagger, born from their Australian roots.
The band members, Johnny Took, Matt Mason, and Tommy O’Dell, leveraged this creative autonomy, drawing on diverse influences. Their sound is distinctive, marked by natural talent, especially Tommy O’Dell’s voice, which shines through on tracks like Killing Time and other singles. These tracks effortlessly blend the energy of Britpop with a raw, contemporary edge.
Their journey to fame has been fueled by multiple breakthroughs. While their stream count has soared, touching over 535 million streams since the release of Hill’s End, their early success included a 2016 cover of Cher’s ‘90s dance hit “Believe” that propelled them onto the triple j’s inaugural Hottest 100 “Live A Version” countdown.
Now, DMA’S is looking forward. Having established themselves in the UK, where they have made five return trips this year, the focus shifts to global horizons. While regular travel remains a logistical challenge, the band dreams of exploring new musical landscapes, with destinations like Italy, Japan, and the United States beckoning them for future adventures. The journey continues, and the ambition remains as loud as their music.
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