MusicFreaks

Tag: Death Grips

  • New indie supergroup M.O.T.H.E.R.: “I wanted it to be the guitar version of N.E.R.D.”

    When creative passion meets shared grief, something electric happens. Robbie Furze of The Big Pink, alongside Jamie T of The Kills and Jamie Hince of The Kills, forged a new sonic entity called M.O.T.H.E.R.. This isn’t just a band; it’s a deeply personal project rooted in shared experiences and an ambitious vision for sound.

    M.O.T.H.E.R. was born from a time of profound loss for Furze, when he experienced the devastating pain of losing his mother after a prolonged illness. This emotional landscape provided the raw material for the music, giving the project an undeniable, heartfelt core.

    The genesis of the group involved Furze finding camaraderie with Jamie T and Jamie Hince during that difficult period. As one musician reflected, this shared experience—dealing with life’s heaviest moments side-by-side—sparked a desire to translate those feelings into music.

    Jamie Hince echoed this sentiment, noting how that time fostered an open creativity among friends, allowing them to channel their collective energy into something new. While the circumstances were heavy, it ultimately led to a powerful sense of camaraderie that fueled their musical journey.

    The resulting sound aimed to capture an epic scale, with Furze envisioning M.O.T.H.E.R. as the guitar version of N.E.R.D.—a space built on mutual love and creative synergy.

    M.O.T.H.E.R.’s initial efforts were released via a debut EP featuring tracks like ‘Real Human’, ‘Traitor’, and ‘Surrender’. The band embraced an ethos of constant evolution, intentionally shifting the lineup with each release to bring in fresh influences and collaborators.

    The creative process is anything but static. Jamie Hince explored collaborations with artists like Jenny Lee Lindberg from Warpaint, while Furze looked toward figures such as Zach Hill of Death Grips and producer Skream for future iterations.

    This collaborative spirit extends beyond the music itself. Furze and Hince share a legendary bromance, their friendship tracing back to the festival circuit of the 2000s, where they navigated the sometimes-turbulent world of bands and fame together.

    Their dynamic, often peppered with playful ego clashes—where pushing boundaries led to unexpected musical breakthroughs—speaks volumes. When working on tracks like ‘Traitor’, this friction turned into something brilliant, demonstrating that true collaboration often requires letting go of preconceived notions.

    At the heart of M.O.T.H.E.R.’s appeal is a sense of epicness. It’s in the feeling that underpins their sound—a blend of beaten-down energy and rising hope, capturing that complex cocktail of life and death that some artists strive for.

    Their debut single, ‘My Love’, exemplifies this simplicity as power. It’s a hopeful anthem filled with incredible energy, proving that sometimes the most powerful statements are found in the most basic, yet perfectly delivered, melody.

    The project continues to expand, with plans for live shows and ongoing explorations, driven by a commitment to evolving sound and shared artistic destiny.

    Credit: NME

  • How Leonard Cohen, Pulse, Death Grips, “Good Music With Really Bad Vibes,” And More Influenced Brutalismus 3000’s Killer New Harmony

    In a visual feast that perfectly captures the volatile energy of modern art and music, the duo Brutalismus 3000 is putting on a show. Producer Theo Zeitner and singer Victoria Vassiliki Daldas have framed themselves within a Zoom window from their Berlin apartment, creating an image that screams tension, distortion, and cultural collision.

    The backdrop to this digital portrait is anything but subtle. They are set against a striking piece of art featuring Blade, the iconic half-human, half-vampire figure, standing proudly in front of an American flag. This unexpected juxtaposition—the gothic aesthetic meeting patriotic symbolism—is exactly the kind of visual statement that fuels artists whose work thrives on challenging boundaries.

    It’s a bold, colorful, and undeniably fun display. This image isn’t just a snapshot; it’s a manifesto for a creative space where opposing ideas collide to create something electrifying.

    Brutalismus 3000’s presence signals a deep dive into the soundscapes that influence contemporary music. Their aesthetic mirrors the influences woven into their work, suggesting a profound engagement with subcultures and historical friction.

    The visual identity expands beyond the studio, pulling in an audience interested in the complex interplay between disparate cultural forces. It’s an invitation to explore the intersection of chaos and control, beauty and discord.

    This powerful visual narrative is a perfect encapsulation of their creative ethos, reminding us that the most compelling art often emerges from the spaces where tension and collision meet.

    The post showcasing this compelling image has already drawn attention to the rich tapestry of influences shaping the duo’s sound. It served as a platform for exploring how musical influences—such as Leonard Cohen, Pulse, Death Grips, and the concept of “Good Music With Really Bad Vibes”—shape the killer harmony of Brutalismus 3000’s new direction.

    Credit: Stereogum