Ghost’s V/H/S Found Footage Horror Anthology featuring RZA

Prepare to have your perceptions shattered. A new wave of found-footage horror is hitting the screen, but this time, the scares are orchestrated by rhythm and melody. The V/H/S franchise is back, and this time, it’s not just about jump scares—it’s a cinematic symphony of sonic terror.

Since its debut in 2012, the V/H/S movies have established themselves as twisted horror anthologies, expertly blending the visceral thrill of found footage with genuinely unsettling narratives. Directors like Johannes Roberts (Primate»), Gareth Evans (The Raid»), and Scott Derrickson (Doctor Strange») have carved a distinctive path for this genre, turning raw footage into psychological nightmares.

Now, the franchise is escalating its signature style with the arrival of V/H/S/MIXTAPE, the ninth instalment set to debut on streaming service Shudder on October 9. This new entry promises to crank the found-footage horror up to eleven by making music and sound the very source of dread.

The core concept of V/H/S/MIXTAPE revolves around a theme that explores how music, rhythm, and audio can haunt, possess, and ultimately destroy. It’s a cinematic collision of cosmic horror, psychological suspense, outrageous splatter, and groundbreaking practical effects, all woven together into one unforgettable mixtape of nightmares.

Adding an extra layer of explosive creativity are the musical talents involved in this new anthology. Legends like RZA of the Wu-Tang Clan bring their history to the frame, while artists such as Flying Lotus and Ghost’s》 Tobias Forge contribute electrifying music video interludes. Even heavy metal titans like GWAR are slated to make a massive appearance in the film, promising an auditory assault unlike any other.

The involvement of established figures is central to the project. RZA, known for his work scoring Quentin Tarantino’s Kill Bill films and directing The Man With The Iron Fists, brings a unique perspective to the horror landscape. Meanwhile, Flying Lotus‘s previous work, including directing the segment Ozzy’s Dungeon for V/H/S/99, shows a clear appetite for blending experimental sound with cinematic storytelling.

This latest anthology taps into a compelling mythology, drawing inspiration from internet lore concerning the SCP Foundation—a secret organization tasked with capturing and studying paranormal entities. This thematic depth anchors the chaos, suggesting that the terror isn’t just physical; it’s metaphysical.

The resurgence of found-footage horror is undeniable, and this new project signals a potent return for the genre. It follows other recent movements, including planned remakes like The Blair Witch Project from director Dylan Clark, demonstrating that audiences are hungry for raw, immersive storytelling.