Micky Dolenz is often remembered as the lone survivor of the legendary Monkees, an act that dominated the pop landscape of the 1960s. The group was a fascinating cultural artifact—a perfect storm of psychedelic pop designed to reflect the era’s counterculture. Yet, what makes the Monkees story truly compelling is how the band members eventually wrestled creative control away from the television producer who initially assembled them, transforming the group into a genuine force that defined its own trajectory.
But Dolenz’s musical identity extends far beyond his role in this iconic group. He carries within him a deep reservoir of musical influence, possessing a sensibility that connects him unexpectedly to some of the era’s most revered figures.
This connection becomes particularly striking when considering his recent work. Dolenz has demonstrated an astonishing musical depth by tackling material from another major artist, specifically covering a very deep cut from Paul Westerberg on his new extended play.
This unexpected dive into the catalog of Westerberg’s music showcases more than just talent; it reveals a unique ability to navigate and synthesize different musical worlds. It is a testament to how art often flows across generational and stylistic boundaries, allowing Dolenz to bridge the gap between the polished pop of his youth and the raw complexity of alternative rock.
The performance of such material highlights that Dolenz is more than just a relic of the Monkees era. He is a living example of musical versatility, weaving together disparate influences into something entirely new and deeply personal.
The Monkees’ Micky Dolenz Covers A Very Deep Paul Westerberg Cut On His New EP appeared first on Stereogum.
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