MusicFreaks

Tag: Music Influences

  • Mick Jagger praises Geese for being “very experimental” and Rosalía for her “conceptual” album ‘Lux’

    Mick Jagger Unpacks His Musical Obsessions for New Rolling Stones Album

    The legendary Rolling Stones are gearing up to drop a new gem, their 25th studio album Foreign Tongues, set for release on July 10 via Polydor/Universal Music. But the buzz surrounding the record isn’t just about the new tracks; it’s also about the eclectic musical landscape that shapes the band’s creative mind, as frontman Mick Jagger shares his deep-dive into contemporary art and sound.

    In a recent interview, Jagger opened up about the current musicians who inspire him. When asked about his influences, he didn’t settle for just rock history; instead, he painted a picture of a listener who embraces the present moment. He highlighted collaborations that reflect a broad appreciation for global sounds, noting that working with Burna Boy, for instance, revealed an undeniable affinity for afrobeats. While acknowledging figures like David Bowie as historical benchmarks, Jagger stressed that true inspiration lies in living within what is happening now, dismissing the notion of being a slave to the present moment while still engaging with it.

    Jagger also pointed toward experimental sounds that push boundaries. He spoke highly of Geese and their work, admitting admiration for their willingness to be “very experimental.” Upon hearing about their album Getting Killed, he expressed delight at the departure from traditional indie rock into more unconventional territory, admiring the audacity of the sound.

    His taste also extended to contemporary vocalists. Jagger gave his approval to Rosalía, praising her album Lux for being “really conceptual” and creatively compelling. This reflective appreciation for artistic ambition extends beyond music, showing a desire for depth and concept in modern artistry.

    The sonic tapestry of Foreign Tongues itself is a masterclass in musical synergy. The album boasts significant contributions from heavyweights like Robert Smith of The Cure, Paul McCartney, and Chad Smith of the Red Hot Chili Peppers, underscoring how this new work bridges classic rock sensibilities with cutting-edge production.

    The project is rich with material, incorporating previously released singles such as Rough And Twisted and In The Stars, alongside a striking cover of the Amy Winehouse classic ‘You Know I’m No Good.’ Furthermore, the album features the involvement of the group’s late drummer, Charlie Watts, adding another layer of history to the new offering.

    Beyond the music, the Stones are engaging their fanbase further by launching a new podcast series titled Speaking In Tongues. This six-episode series offers listeners a behind-the-scenes look at the creation process of Foreign Tongues, providing an intimate view of the album’s journey.

    Looking ahead, Jagger remains ready for action, teasing the possibility of a new Rolling Stones tour in the coming year. He expressed that he “can’t wait” to get back on the road with the group, while Keith Richards hinted at potential dates for 2027, suggesting that the band is poised for another era of live performance and creative exploration.

    Credit: NME

  • How Leonard Cohen, Pulse, Death Grips, “Good Music With Really Bad Vibes,” And More Influenced Brutalismus 3000’s Killer New Harmony

    In a visual feast that perfectly captures the volatile energy of modern art and music, the duo Brutalismus 3000 is putting on a show. Producer Theo Zeitner and singer Victoria Vassiliki Daldas have framed themselves within a Zoom window from their Berlin apartment, creating an image that screams tension, distortion, and cultural collision.

    The backdrop to this digital portrait is anything but subtle. They are set against a striking piece of art featuring Blade, the iconic half-human, half-vampire figure, standing proudly in front of an American flag. This unexpected juxtaposition—the gothic aesthetic meeting patriotic symbolism—is exactly the kind of visual statement that fuels artists whose work thrives on challenging boundaries.

    It’s a bold, colorful, and undeniably fun display. This image isn’t just a snapshot; it’s a manifesto for a creative space where opposing ideas collide to create something electrifying.

    Brutalismus 3000’s presence signals a deep dive into the soundscapes that influence contemporary music. Their aesthetic mirrors the influences woven into their work, suggesting a profound engagement with subcultures and historical friction.

    The visual identity expands beyond the studio, pulling in an audience interested in the complex interplay between disparate cultural forces. It’s an invitation to explore the intersection of chaos and control, beauty and discord.

    This powerful visual narrative is a perfect encapsulation of their creative ethos, reminding us that the most compelling art often emerges from the spaces where tension and collision meet.

    The post showcasing this compelling image has already drawn attention to the rich tapestry of influences shaping the duo’s sound. It served as a platform for exploring how musical influences—such as Leonard Cohen, Pulse, Death Grips, and the concept of “Good Music With Really Bad Vibes”—shape the killer harmony of Brutalismus 3000’s new direction.

    Credit: Stereogum