Tag: Breathe

  • LA Priest announces new album co-produced by Boys Noize: hear “Ever No”

    LA Priest, known by frontman Sam Eastgate, is gearing up for a fresh wave of sonic exploration with the announcement of his fourth album, Into The Sky. This highly anticipated record is set to drop on August 28th via Domino.

    The making of this new work involved a significant creative partnership. Sam Eastgate collaborated with longtime friend Alex Ridha, also known as Boys Noize, who served as co-writer, co-producer, and mixer for the project, bringing an innovative edge to Eastgate’s sound.

    Eastgate shared the vision behind the record, emphasizing that this album is intended to be a full sensory experience. “For a long time, I wanted to make stuff for your mind. This one is more for the mind and the body,” he explained. He noted his goal was to create music designed specifically for movement, stating, “I made this record to dance to. I haven’t really done one that you could put on and dance all the way through before.”

    The collaboration with Ridha was key to unlocking a new stylistic direction for Eastgate. He cited Ridha’s work in electronic music as the inspiration that allowed him to revisit a style he hadn’t explored in a long time, resulting in a dynamic and compelling musical tapestry.

    Into The Sky already has buzz, with the title track—a true banger—having been released earlier this month. Adding to the momentum, the band is currently promoting the new single, “Ever No,” which is described as delightfully slinky and funky.

    The tracklist for the album promises a journey through rhythm and atmosphere, featuring songs like Rayon, No Other Voices, Breathe, and the standout “Ever No.” Fans can dive into the sound with existing content:

  • Did We Need A Gen Z Rivers Cuomo?

    In the current era of celebrity culture, where visual presentation often dominates sound, some artists are finding unique ways to redefine their image. This is the case with LA singer-songwriter Malcolm Todd, whose recent work sparks conversation not just about music, but about the very nature of artistic branding and public exposure.

    Todd’s latest offering, the album Do That Again, immediately grabs attention. The cover features a striking image—a shirtless bathtub-and-beer shot that is lit in a style reminiscent of the Backrooms aesthetic. It’s an image steeped in a visual narrative where multiple outfits are seemingly shed throughout the album’s runtime, offering a playful commentary on identity and presentation.

    When pressed about this aesthetic, Todd offered a simple, yet telling response: “I’ve been shirtless my whole life.” This reply flips the script, suggesting that his visual style isn’t a momentary trend but an ongoing facet of his persona. While the cover art may evoke imagery similar to 2000s American Apparel advertisements, the artistic intent lies far deeper than mere provocation.

    The contradiction between the raucous visuals and the content of his music is where the true wit emerges. Despite the suggestive nature of some promotional material, Todd’s output manages to avoid being simply sleazy. His merchandise, for instance, features charming items like teddy bears and rubber duckies, suggesting a softer side than the provocative imagery implies.

    His single, “Breathe,” is framed within a fake slumber party setting that manages to be more wholesome than many of its predecessors. This delicate balance—between overt sensuality and gentle wholesomeness—defines his unique brand. The names he has adopted for his tour and albums further solidify this playful yet confident stance, with titles like Sweet Boy and Wholesome Rockstar speaking volumes about his curated identity.

    Malcolm Todd’s story serves as a reminder that true impact comes from weaving complex narratives. By embracing visual freedom while maintaining an underlying tone of genuine connection, he demonstrates how modern artists can successfully navigate the often-tricky waters between shock value and authentic appeal in the public eye.