Tag: Album release

  • Phoebe Bridgers Announces New Album ‘Lost Weekend’

    For long-time fans of Phoebe Bridgers, anticipation often feels like waiting for a perfect summer day—a moment when something truly special is about to unfold. After the critical success and emotional resonance of her previous work, the musical landscape paused briefly while she prepared for what many are already calling a deeply anticipated next chapter.

    Bridgers is finally ready to unveil plans for her third studio album, Lost Weekend. This new project promises to build upon the intricate emotional tapestry that defined her previous work, leading listeners into an experience that is poised to be both familiar and delightfully surprising.

    Lost Weekend will arrive on August 14, available through Dead Oceans. The music will follow her stellar 2020 release, Punisher, solidifying her place as a master of nuanced, introspective songwriting.

    The excitement surrounding the new record is amplified by the creative direction itself. A recent press release framed the album as Bridgers operating at the height of her powers, taking nothing more seriously than the craft while refining motifs that have previously distinguished her artistry. This suggests an evolution, a continued deepening of the emotional themes that fans have come to cherish.

    Beyond the album itself, the promotional rollout is already buzzing. To give fans a taste of the new sound, a single from Lost Weekend will be premiered online. Mark your calendars for a digital event set for June 25 at 7 p.m. ET, where the video for the title track will debut.

  • ‘Weekend’ At Phoebe’s: Bridgers Brings Forth New LP

    Phoebe Bridgers (photo: Dead Oceans)

    Phoebe Bridgers has delivered a massive wave of excitement, finally revealing the highly anticipated new album that has captivated fans across North America and the U.K. in a flurry of activity. After selling out arenas in a matter of hours, the mystery is officially over: the project is titled Lost Weekend, set for release on August 14th via their longtime partners at Dead Oceans.

    While the full lineup of the sixteen tracks remains a closely guarded secret, anticipation is high, especially since the title song was already unveiled on YouTube in a preview to generate buzz. This sudden reveal follows a recent string of surprise acoustic pop-up shows and a sold-out appearance at Madison Square Garden earlier this month, suggesting that Bridgers has been deep in the creative trenches, exploring new musical territory before the grand launch.

    Lost Weekend marks Bridgers’ first full-length release since her critically acclaimed 2020 album, Punisher. This new work is seen as a potent culmination of her songwriting mastery, refining the deeply personal themes that have defined her previous output while embracing unexpected creative turns.

    The sound of the album is layered with collaborative brilliance. Production assistance came from Jack Antonoff, and tour mate Alex G contributed to the sonic landscape, pushing Bridgers’ music into richer and more adventurous emotional spaces. It represents an expansion on the songwriting prowess that first brought her acclaim with Stranger in the Alps and continued the evolution seen on Punisher.

    Bridgers will support the album on The Lost Tour, a journey designed to offer an intimate experience for her audience. Kicking off on September 15th in Indianapolis, the tour will sweep across North America before heading to the U.K. and Europe later in the year.

    The touring experience is being handled with a deliberate focus on community and presence. In line with her recent surprise performances, the entire upcoming tour will be phone-free. Audience members are asked to place their smart devices and phones into Yondr pouches upon entering venues, ensuring that the focus remains entirely on the shared, communal atmosphere of the performance.

    This commitment to connection extends to social responsibility. For every North American ticket sold, $1 will be donated to RAINN, the nation’s largest anti-sexual violence organization. It is a powerful gesture that ties the music directly to meaningful advocacy.

    The tour also features compelling musical partnerships; Alex G opens the North American dates, while former Black Country, New Road frontman Isaac Wood supports the overseas legs of the journey. Lost Weekend and The Lost Tour promise to be more than just an album release—they are an immersive, deeply connected event built on creative evolution and compassionate performance.

  • Yard Act share “New Beginnings” from upcoming album, add tour dates around Riot Fest

    Yard Act Sheds Skin with ‘New Beginnings‘ and Kicks Off a Massive Tour

    Yard Act is ready to usher in a new era with their latest single, “New Beginnings,” from their forthcoming album You’re Gonna Need a Little Music. With a distinct flavor of ’90s Britpop, the track immediately sets an optimistic, forward-looking tone. Frontman James Smith dove deep into the philosophy behind the release, suggesting that life is a continuous process of evolution.

    Smith puts it plainly: “Sometimes we’ve already shed our old skin without even realising it’s happening. Celebrate the new, because you can’t go back.” This message perfectly captures the energy radiating from their new material—a celebration of shedding the past and embracing whatever comes next.

    As the album hits shelves on July 15th, the momentum builds toward a major live run, kicking off August 5th across the globe. The tour schedule is ambitious, bringing Yard Act to some iconic spots and delivering explosive energy wherever they go.

    The initial leg of the journey features excitement in the US, with dates slated for San Diego on August 5th and Los Angeles on August 6th, followed by stops in San Francisco, Portland, Seattle, and Vancouver. The itinerary quickly shifts focus across the Atlantic, ensuring fans in the UK and Europe are treated to a full experience.

    A key highlight of the tour is the collaboration with fellow artists, notably their appearance alongside The Armed. Fans can look forward to seeing them alongside NYC’s Warsaw on August 13th, as well as various headline shows around major festivals like Riot Fest. They are also slated for headline spots in Minneapolis and Detroit before hitting Toronto with The Armed.

    The road map is packed with incredible venues, taking the band from celebrated UK spots like London’s Rough Trade East and Nottingham’s Rough Trade, through to major international cities like Paris, Berlin, Oslo, and Copenhagen. The extensive schedule also includes dynamic dates across Scandinavia and Central Europe, spanning from Cologne in October to Prague and Berlin later that month.

    The tour dates are a sprawling testament to their reach:

    Thursday, July 2 – Werchter, BE @ Rock Werchter
    Wednesday, July 15 – Edinburgh, UK @ Belle Anglais (in association with Assai Records)
    Thursday, July 16 – Liverpool, UK @ Baltic (in association with Jacaranda Records)
    Saturday, July 18 – London, UK @ Rough Trade East
    Tuesday, July 21 – Nottingham, UK @ Rough Trade
    Wednesday, July 22 – Bristol, UK @ Rough Trade
    Friday, July 24 – Brighton, UK @ Chalk (in association with Resident Records)
    Wednesday, August 5 – San Diego, CA @ Belly Up Tavern
    Thursday, August 6 – Los Angeles, CA @ Teragram Ballroom
    Saturday, August 8 – San Francisco, CA @ Outside Lands
    Sunday, August 9 – Portland, OR @ Revolution Hall
    Monday, August 10 – Seattle, WA @ Neptune Theatre
    Tuesday, August 11 – Vancouver, BC @ The Pearl
    Thursday, August 13 – Brooklyn, NY @ Warsaw
    Friday, August 14 – Washington, DC @ Black Cat
    Saturday, August 15 – Philadelphia, PA @ Underground Arts
    Sunday, August 16 – Boston, MA @ The Sinclair
    Thursday, September 17 – Minneapolis, MN @ Fine Line
    Friday, September 18 – Chicago, IL @ Riot Fest
    Sunday, September 20 – Detroit, MI @ Magic Stick
    Tuesday, September 22 – Toronto, ON @The Opera House
    Thursday, October 1 – Paris, FR @ La Cigale
    Friday, October 2 – Brussels, BE @ Ancienne Belgique
    Saturday, October 3 – Utrecht, NL @ TivoliVredenburg
    Monday, October 5 – Cologne, DE @ Gloria-Theater
    Wednesday, October 7 – Hamburg, DE @ Uebel & Gefährlich
    Thursday, October 8 – Oslo, NO @ Rockefeller Music Hall
    Friday, October 9 – Stockholm, SE @ Kägelbanan
    Saturday, October 10 – Copenhagen, DK @ VEGA
    Monday, October 12 – Warsaw, PL @ NIEBO
    Tuesday, October 13 – Prague, CZ @ MeetFactory
    Wednesday, October 14 – Berlin, DE @ Festsaal Kreuzberg
    Friday, October 16 – Lausanne, CH @ Les Docks
    Saturday, October 17 – Milan, IT @ Magazzini Generali
    Sunday, October 18 – Toulouse, FR @ La Cabane
    Tuesday, October 20 – Barcelona, ES @ Sala Apolo
    Wednesday, October 21 – Madrid, ES @ Teatro Eslava
    Friday, October 23 – Lisbon, PT @ Cineteatro Capitólio
    Friday, November 6 – Leeds, UK @ O2 Academy Leeds
    Saturday, November 7 – Leeds, UK @ O2 Academy
    Tuesday, November 10 – Newcastle, UK @ NX
    Wednesday, November 11 – Glasgow, UK @ Barrowland Ballroom
    Thursday, November 12 – Sheffield, UK @ Octagon Centre
    Friday, November 13 – Manchester, UK @ O2 Victoria Warehouse
    Sunday, November 15 – Wolverhampton, UK @ Wulfrun Hall
    Monday, November 16 – Leicester, UK @ O2 Academy
    Tuesday, November 17 – Nottingham, UK @ Rock City
    Wednesday, November 18 – Cambridge, UK @ Junction 1
    Friday, November 20 – Oxford, UK @ O2 Academy
    Saturday, November 21 – Bristol, UK @ Bristol Beacon
    Monday, November 23 – Plymouth, UK @ Plymouth Pavillions
    Tuesday, November 24 – Southampton, UK @ O2 Guildhall
    Thursday, November 26 – London, UK @ O2 Academy Brixton

    Get ready for a whirlwind of sounds as Yard Act brings their fresh vision and infectious energy to the stage.

  • Swapmeet – “Halfway”

    The indie rock scene is buzzing with fresh energy, and at the heart of it is the Adelaide-based band Swapmeet. These Australian musicians have recently generated significant buzz with a trio of compelling singles, including I Know!, Sand,” and 2 C U. With their full-length debut album, Mount Zero, just one month away from release, the band is building serious momentum for their next phase.

    But Swapmeet isn’t resting on their laurels. In a move that signals massive growth, the band has announced an upcoming North American tour, bringing their unique sound to a wider audience. Simultaneously, they have released a brand-new single, Halfway,” which introduces a fresh layer to their established aesthetic.

    Musically, Swapmeet expertly navigates the modern indie landscape. Their sound is delightfully contradictory, blending the intimate, whispery textures of bedroom-pop with the sharp, angular edge of old-school post-punk skronk. This fusion creates a sound that is both immediately accessible and deeply atmospheric, making their music uniquely captivating.

    The recent single, Halfway,” perfectly encapsulates this blend, offering listeners an experience that feels both current and timeless. It’s a reminder that while the sonic palette might feel like contemporary bedroom-pop, there is just the slightest, intriguing hint of that nostalgic post-punk energy woven throughout the tracks.

    This new material promises to deepen the intrigue surrounding Mount Zero, setting the stage for a debut album that is sure to be a landmark release for the indie world. As Swapmeet gears up for their North American tour and continues to share their distinctive sound, anticipation is high for what these Australian artists will bring to the global stage.

  • Emily A. Sprague Announces New Album Cyano: Hear “Sing To”

    Florist leader Emily A. Sprague continues to carve out an intriguing space in the music world, balancing her collaborative work with a deeply personal solo exploration. Recently, she released the single Double Moon.

    For some time now, Sprague has been releasing ambient electronic music under her own name. This solo work offers a unique perspective that stands in fascinating contrast to the sound she creates alongside Florist. Yet, even within this personal soundscape, “Double Moon” proves compelling. On the track, Sprague adds her voice softly over one of her own soundscapes, unlocking an unexpected and interesting new dimension in her overall musical approach.

    This journey of exploration is now expanding with the announcement of her new album, Cyano. This project sees Sprague continuing to delve into the same atmospheric territory she has been exploring previously, deepening her commitment to ambient electronic music.

    The excitement around this new work was amplified when the announcement for the album appeared on Stereogum, where listeners were invited to hear tracks like “Sing To.” It’s clear that Emily A. Sprague is thoughtfully expanding her artistic vision, offering listeners a rich and evolving experience.

  • Julia Holter Announces New Album Materia: Hear “Fantasy”

    The LA chamber pop artist, Julia Holter, is clearly ready to expand her sonic universe. After a period of creative evolution following the release of her acclaimed LP Something In The Room She Moves, Holter is ushering fans into a new celestial era with the announcement of her follow-up project.

    This latest venture, the companion album titled Materia, signals a deep dive into new musical territories. Fans can anticipate an exploration that builds upon the emotional depth and sophisticated sound characteristic of Holter’s distinctive chamber pop style, promising an equally atmospheric and immersive experience.

    To kick off this exciting journey, the anticipation is now channelled into the immediate release of the lead single, “Fantasy.” This new track is already setting a high bar, offering listeners a shimmering glimpse into the world Holter is building for Materia.

    The release of “Fantasy” allows the public to experience the vibrant energy that accompanies Holter’s evolving artistic vision. It serves as the perfect introduction to the themes and textures woven throughout the upcoming album, cementing Holter’s position as an artist unafraid to explore grand, ethereal concepts in contemporary pop music.

  • Brennan Wedl Announces New Self-Titled Album Co-Produced By Katie Crutchfield & Featuring Snail Mail: Hear “Pretty Little Fantasy”

    Brennan Wedl is quickly ascending the ranks of independent music, establishing herself as a compelling voice in the contemporary singer-songwriter scene. Recognized as an Artist To Watch in 2024, her momentum has accelerated through a series of high-profile collaborations and exciting tours that highlight her unique talent.

    Her journey into the indie music landscape took off with significant signings and performances that put her in front of a wide and appreciative audience. Earlier this year, Wedl signed to ANTI-, a label known for nurturing distinctive artistic voices. This move was followed by notable appearances on major tours, including opening for the acclaimed duo Waxahatchee and MJ Lenderman.

    The buzz around her continued to grow as she began to participate in other major musical events. She was announced as the opener for upcoming tours by Snail Mail and Soccer Mommy, further cementing her place among a group of artists with palpable creative energy.

    Now, Wedl is focusing her spotlight on her own creative vision with the announcement of her eponymous debut album. This project is set to be further elevated by featuring co-producers Katie Crutchfield and Brad Cook, signaling a collaborative approach that promises a rich and distinctive sound.

  • Brandon Flowers Turns Rootsy On Solo LP

    photo: Chris Phelps

    Brandon Flowers is ready to trade the neon glow of Las Vegas for the warm embrace of Americana, announcing the release of his first solo album in over a decade, THRASHER. This new project isn’t just a collection of songs; it’s an intimate journey that pulls Flowers deep into the heart of American tradition, delivering what he describes as some of his most personal and vulnerable material yet.

    The sonic landscape of THRASHER is steeped in the country-western sounds that have long informed Flowers’ life story. While his public persona has often been defined by arena rock grandeur, this album steps back to explore the heritage that shaped him, tracing a path from his adolescence in Nephi, Utah, where he absorbed post-punk influences alongside the sounds of Johnny Cash and Waylon Jennings.

    This deep connection to the American landscape informed every note recorded. The sessions were held in Nashville’s historic RCA Studio A, providing an authentic backdrop for Flowers to weave tales rooted in family and history. He brought together an impressive group of Nashville heavyweights to help craft this earthy sound, including guitarist David Rawlings, pedal steel master Bruce Bouton, and the legendary harmonica player Charlie McCoy, whose unmistakable voice echoes through Bob Dylan’s Nashville albums.

    The album is a tapestry woven from real-life narratives. Tracks like “Plans” prompt contemplation on cosmic luck, while “One Of Us” honors a lost family member, and “Miss America” explores the complicated memories of childhood milestones. Other songs delve into the bittersweet realities of life in Vegas casino environments with wry humor, as heard in “Paradise.”

    The thematic range is expansive, moving seamlessly between rural landscapes and glittering city dreams. Tracks like “Red Ground” introduce mariachi flourishes, while “Tiger’s Blood” blends the album’s raw textures with Flowers’ signature arena-rock energy. The sprawling closing track, “An American Dream,” serves as a surreal meditation on memory, family, and fleeting moments of eternity.

    The first taste of this journey arrives on June 26th with the single “Plans.”

  • Sam And Louise Sullivan Announce New Album Love & Devotion: Hear “Down On Love”

    The world of independent music is currently buzzing with a wave of incredibly prolific creativity, particularly from artists operating within the Philadelphia scene. At the heart of this vibrant output are projects that demonstrate relentless musical output and genuine artistic synergy, inviting listeners to dive into some truly memorable sounds.

    Consider the work of Emily Moales, a musician whose recording project, Star Moles, continues to set high standards. Her latest offering, Highway To Hell, is already recognized as one of the must-hear albums of the year so far, showcasing her ability to craft compelling and intense musical narratives.

    The momentum doesn’t stop there. Fellow Star Moles contributor Kevin Basko channels similar creative energy through his project, Rubber Band Gun. Their collaboration recently yielded the track Frodoboy, a piece that highlights the dynamic interplay between these prolific musicians.

    Adding another layer to this fascinating musical landscape are Sam and Louise Sullivan, a sibling duo whose collaborative efforts are equally compelling. They have been busy developing their sound, and they are now bringing their latest work to listeners with their new album, Love & Devotion.

    A standout track from this new release is the song Down On Love, which offers a glimpse into the emotional depth of the Sullivan siblings’ evolving sound. These interconnected projects—Star Moles, Rubber Band Gun, and the work of Sam and Louise Sullivan—underscore a rich ecosystem where musical talent flows freely and constantly produces exciting new material.

  • Death Cab For Cutie Cover Hüsker Dü For SiriusXM

    When it comes to indie music, there’s a particular kind of buzz that follows artists who manage to balance heartfelt songwriting with genuine creative momentum. That is exactly the energy surrounding Death Cab For Cutie as they mark a significant moment in their career.

    Earlier this month, the band officially unveiled their debut album on ANTI- Records, I Built You A Tower. This release isn’t just a collection of songs; it represents a fresh chapter for Ben Gibbard, Nick Harmer, and Jason McGerr, offering listeners a deep dive into the band’s evolving sound.

    Beyond the music itself, the excitement surrounding this new era was amplified by insightful discussions about their creative journey. Fans were treated to a wonderful chat, an intimate conversation with frontman Ben Gibbard, bassist Nick Harmer, and drummer Jason McGerr, exploring the forces that shaped their latest work.

    But the story doesn’t end with the album release. The band recently shared another glimpse into their collaborative spirit through a special performance video. In this engaging clip, Gibbard teamed up with his bandmates—guitarist Dave Depper and keyboardist Zac Rae—to deliver a stripped-down cover of Hüsker Dü’s iconic track, “Green Eyes,” for SiriusXM.

    This particular performance offered fans a wonderful opportunity to appreciate the roots that inform their contemporary sound while showcasing the musicianship behind the scenes. It proved that even as they explore new territories, the core passion for classic rock and songwriting remains firmly at the heart of Death Cab For Cutie.