Rosalía calls listening to her albums “torture” and “pointless”
In the high-stakes world of music, where perfection is often the elusive goal, the process of creation is frequently overshadowed by the necessity of consumption. For global superstar Rosalía, this dynamic plays out not just in the studio, but in the way she approaches her own monumental body of work.
The Spanish singer is known for her relentless pursuit of sonic excellence, dedicating years to crafting albums that define modern pop and flamenco fusion. But beyond the studio magic, she harbors a unique and somewhat surprising stance on the music she has created: she has no interest in listening back to her own records.
When speaking in a recent interview with CBS Sunday Morning, Rosalía offered a candid explanation for this deliberate artistic distance. She suggested that revisiting her own tracks would only encourage her to chase new creative horizons, implying that the act of reflection would impede her forward momentum.
This perspective highlights a fascinating tension between the artist and the artifact. While the finished albums stand as triumphant achievements, Rosalía seems to view them as completed statements, objects of focus rather than sources of continuous introspection.
It’s a compelling insight into the intense focus required to achieve greatness. For some artists, the work is a closed chapter, a beautiful, finished book that deserves to be admired, but not reread. Rosalía’s approach suggests a powerful dedication to the future, valuing the energy of new ideas over the echoes of past successes.
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