Haken’s new EP hints at where they’re going next
When rumors of personnel changes and concert cancellations swirled around the band, it felt like the creative momentum of Haken might have stalled. But instead of pausing, the band stepped into a period of profound transformation, delivering the new EP In A Fever Dream as a powerful statement of evolution.
In A Fever Dream stands out as more than just a new release; it functions as a pivotal bridge, reflecting not only internal shifts within the band but also the broader journey of the music itself. Vocalist Ross Jennings frames the EP as a period of change, describing it as reflecting a transformational period in life, mirroring the stylistic shifts the group has undergone.
“We’re going through some stylistic changes,” Jennings explains, noting that the EP serves as a stepping stone toward future endeavors. This shift involved drawing on new influences and fundamentally changing how the band approaches their craft, carefully balancing evolution with loyalty to their longtime fanbase.
The changes were rooted in significant recent events, including the departures of longtime guitarist Charlie Griffiths and bassist Conner Green, and the decision to pursue new creative avenues. These transitions were handled with a focus on moving forward, acknowledging that change—like any significant life event—is difficult but necessary.
To facilitate this evolution, the band made tangible adjustments to their sound. In A Fever Dream features elements that have been pared down, replaced by a denser, more emotional wall of sound. This sonic refinement was partly influenced by the revised lineup, necessitating a complete rethinking of songwriting and guitar arrangements, focusing on collaborations between guitars and keys rather than traditional instrumental setups.
Another major development was the band’s decision to work with an outside producer for the first time in nearly two decades. Bringing in George Lever, known for his work with artists like Sleep Token and Monuments, provided Haken with a fresh external perspective. This collaboration allowed them to integrate new sound design elements without abandoning their core identity, embracing modern metal touches while retaining their progressive foundation.
Jennings noted that while they drew inspiration from modern acts, they remain committed to their roots. The goal was to find a balance: keeping the classic progressive elements and vocal style intact while allowing the band to evolve. This balancing act, he suggests, is something that will continue for the future.
The creative process extended to their vocal performance as well. On tracks like the title track and Lotus, Jennings experimented with heavier vocal elements, leaning into harsher singing. This choice, which had previously felt unsatisfactory, became a means of reintegrating heavier aspects into their sound, especially since recording Vector.
The core membership remains intact, with the band continuing as a four-piece supported by a session bassist, ensuring that the unique dynamics they are known for persist. The group also integrated outside talent, inviting players like Bryan Beller, who brought a specific spin on the bass lines, contributing to the EP’s unique texture.
Looking ahead, Haken is not slowing down. With the momentum gained from this EP and recent tours, the band is already developing more music and is planning further creative steps. They are expected to release additional material in 2027, demonstrating a commitment to perpetual growth and ensuring that the mountain they sing about continues to climb.
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