Greg Freeman on making sound organic
The air in Hackney is buzzing with anticipation. Greg Freeman is currently upstairs at the MOTH Club, tuning up for what promises to be two sold-out nights. The atmosphere is electric, perfectly setting the stage for the raw, physical sound that is about to unfold.
This upcoming performance isn’t just another gig; it’s an opportunity to fully immerse the audience in the sound of his latest work. Freeman’s new double-LP, ‘All Set The Bone’, which dropped this month, is an exercise in pure physicality and visceral existence.
The journey of the music is intrinsically linked to the sound itself. When asked about the creative process, Freeman shared a philosophy that defines his entire output: “I wanted it to sound organic and live.”
This sentiment goes beyond mere sonic texture. It speaks to a desire to capture a genuine, unfiltered energy, stripping away artificial polish to reveal something raw and immediate. It’s the pursuit of a sound that feels less produced and more spontaneously created, allowing the music to breathe as if it were happening in real-time.
The energy radiating from the studio and now spilling onto the stage perfectly reflects this vision. It is a testament to an approach where authenticity is the highest priority, ensuring that every note carries the weight of lived experience.
Listeners diving into ‘All Set The Bone’ are invited to experience this commitment to rawness. It’s a compelling body of work that captures the very essence of organic, live performance.
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