Geese’s 100 Horses scare kids playing MLB the Show 26
We love to say that any absurd modern thing would kill a Victorian child, but can you imagine what it would be like for one to hear the voice of Cameron Winter playing a baseball video game? That is the hypothetical reality facing parents and players of MLB the Show 26 as they grapple with the inclusion of the band Geese‘s track Getting Killed‘s 100 Horses on the game’s soundtrack.
The controversy erupted in online communities, where players and concerned parents alike began bemoaning the choice of music for a game designed for a wide audience. The uproar centered on the specific lyrics within the song, which deal with themes of death and wartime fear. One parent demanded the track be removed, questioning its appropriateness for children to hear lyrics concerning death in a baseball simulation.
The reaction was swift and varied. Some felt the content was “deeply disturbing,” while others simply found the music jarringly out of place. In the midst of the digital debate, other players expressed frustration not only with the song itself but also with the singer’s delivery, with some comparing the performance to a less compelling style.
The complaints quickly spiraled into humorous extremes on Reddit, with users jokingly calling the track the “worst song” ever heard, underscoring how deeply the music choice polarized the community. It raised a wider conversation about the boundaries of content in gaming—especially for family-oriented franchises—and the weight we place on audio experiences in entertainment.
While the drama unfolded in the gaming sphere, the backstory of the artists involved provided further context. Cameron Winter, the vocalist for Geese, has navigated a career that includes performing at venues and appearing in popular media, such as for Interview Magazine. His foray into the world of gaming, while perhaps unexpected, has drawn considerable attention.
Despite the intense backlash, the community ultimately found a practical solution. Users astutely noted that the game itself provided a mechanism to manage the audio experience, allowing players to turn individual tracks off within the game’s jukebox. This provided a middle ground, offering a way for players to enjoy the game without being subjected to every piece of soundtrack content.
Ultimately, the episode in MLB the Show 26 serves as a reminder that even seemingly innocuous details, like a song choice, can ignite intense debate. It highlights the ongoing negotiation between artistic expression, parental concerns, and the evolving landscape of digital entertainment.
Buy on Amazon
Credit
