Gaza documentary beats Avengers Endgame at the box office


In a landscape dominated by blockbuster spectacles, a sobering documentary about the realities of conflict is carving out a significant space, proving that deeply uncomfortable truths can still captivate a global audience. NAZA”>NAZA, a film that examines the mechanics of modern warfare, is currently beating major Hollywood releases in the Italian box office ahead of its global debut.

Created by Oscar-winning filmmakers Yuval Abraham and Rachel Szor, the documentary offers an intensely personal look into the Israeli experience during the ongoing war in Gaza. It features candid interviews with 24 Israeli soldiers and intelligence officers, who discuss how their military forces utilize artificial intelligence and automated surveillance in targeting systems.

The title itself is rooted in military terminology; NAZA”>NAZA is an Israeli military acronym used to indicate the number of civilians an airstrike is expected to kill. This stark naming convention immediately sets a serious tone for the film’s exploration of the systems driving military action.

Abraham and Szor explain their motivation for creating the film, driven by a sense of deep obligation. “We made this film out of a sense of obligation to use our position as Israelis to examine the systems behind the mass killing of Palestinian civilians for which our country is responsible,” they stated.

The filmmakers delve deeper, posing profound questions about the nature of conflict and dehumanization. Over the three years of filming, they reflected on historical patterns: “We found ourselves asking the very questions that were asked by our grandparents’ generation and throughout the 20th century: how does one group of people allow the total dehumanisation of another? What do the inner workings of such a system look like?”

The documentary’s powerful narrative was recognized internationally, winning the Special Jury Prize at the Venice film festival earlier this month. It continues to find audiences worldwide, with the film successfully topping the box office in Italy.

While initially scheduled for a limited theatrical run, the demand for the film has led to an extension of its screening. The commitment to showing this story has ensured its continued presence in theaters.

Soon, NAZA”>NAZA will be released in more than 50 territories before becoming available free-to-watch on The Guardian’s website in mid-November. The film is set to premiere in the UK on October 15, bringing this critical examination of conflict to a wider international audience.

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