Beabadoobee is not just releasing a new album; she is detonating a sonic explosion. The English singer-songwriter, who recently turned 26, is officially trading her familiar alt-pop sound for something far more intense: full-blown emo.
This shift marks a bold evolution for the artist, moving her into a landscape where raw emotion and alternative grit reign supreme. Today, she unveiled her fourth studio album, Pylon, setting expectations high for what the listener can expect from this fresh direction.
But the real buzz surrounding Pylon isn’t just Beabadoobee‘s voice; it’s the roster of talent she has assembled. The album acts as a sprawling collaboration, pulling together a collection of major alternative names to infuse it with depth and history.
The feature lineup is stacked with iconic figures from the alternative scene. Tracks on the record feature collaborations with titans like Paramore/solo star Hayley Williams, Deftones’ Chino Moreno, Turnstile’s Brendan Yates, and even Throwback stars Matty Healy and George Daniel from The 1975.
Adding further texture are other respected figures, including Basement’s Andrew Fisher. This blend of contemporary pop sensibility with foundational alternative sounds creates a rich, layered experience that feels both familiar and intensely new.
The influence runs deep, drawing from legends like Shane Moran of Title Fight and Evan Stephens Hall of Pinegrove, who is also noted for his connection to the scene, evidenced by Bea Laus’s own commitment to the Pinegrove aesthetic.
It’s more than just a collection of songs; Pylon feels like an invitation into a powerful convergence of musical history, signaling that Beabadoobee is not just following trends—she is actively shaping them. Prepare for a journey where pop hooks meet the raw power of emo history.
Credit: Stereogum
